A Quote by Didi Conn
When I signed my contract to be in 'Grease 2,' my agent said, 'Well, she's going to have a number.' So I did! They wrote me a number where I was teaching Maxwell Caulfield how to be cool. It was called 'Cool Rider.' And it ain't in the movie.
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When my agent called me up and said, "Do you want to be in a movie called Sharknado?" I said, "What is it about? Is it really about sharks falling out of the sky and eating people?" And she said, "Yes." And I said, "Definitely. That is going to be a huge hit. That is going to put to rest the Home Alone dad image. I'm going to be the Sharknado drunk instead, hopefully." And I was right. I don't know how I knew that, but I just knew that Sharknado was going be a huge hit.
At 19, if a woman said no, no meant no. If she didn't say anything and she was open, and she was down, it was like how far can I go? If I touch her breast and she's down for me to touch her breast, cool. If I touch her lower, and she's down and she's not stopping me, cool. I'm going to kiss her or whatever. It was simply if a woman said no or pushed you away that was non-consent.
It wasn't exactly a cattle call. I had an agent, and they were seeing people for the parts, so my agent said, "Here's the script, see if there's anything that speaks to you." And I did, and I called my agent and said, "I think this character Data is kind of interesting," and she said, "Well, okay, I'll get you the appointment with Junie Lowry." I had to read with the casting agent first, 'cause nobody really knew me then. Then after that, I had, I think, six different auditions for the role. And finally it was me [on Star Trek].
So I called and said, 'Mommy, I'm doing a political film with Jean-Luc Godard. You have to come and sign the contract.' She thought I was lying, so she hung up the phone. But then she came the next day, even though she had never taken an airplane in her life. She came to Paris and she signed my contract.
I'm a businessperson. I did really well. But I have common sense. And I said, well, I'll tell you. I haven't given lots of thought to NATO. But two things.Number one, the 28 countries of NATO, many of them aren't paying their fair share. Number two - and that bothers me, because we should be asking - we're defending them, and they should at least be paying us what they're supposed to be paying by treaty and contract.
My agent at the time, Mike Medavoy, before he became a movie mogul, called me up and said, how about a movie with you and Peter Boyle and Marty Feldman? And I said, well, what makes you think of that? He said because I now handle you and Peter Marty.
You go ask any founder of any company why he or she did it, you will never hear, "I wanted to create jobs for the community" as the number one, number two, number three, number four, number five, number 10 reason for doing so. That is a result of the success the business enjoys. Creating jobs is not why people start businesses. Creating jobs is not how people innovate in business. It's not how they compete.
In Shakespeare Saved My Life, [author Laura Bates] said she got better papers from [prisoners] than she got from people in her regular classes. Because she was teaching, of course, Macbeth, and a number of them had murdered people. The guy who wrote the best paper said, "You do have this, 'Is this a dagger which I see before me?' before you do it, but in my case it was a gun."
I wasn't the cool kid in school, but I wasn't the lame one. I knew I wasn't cool, so I called myself lame, and that's what made me cool in front of the cool kids.
The Dead was cool, It's a great horror story. I went to the casting director of this movie and talked to him, then they called my agent and had me come in and read for it and they wanted to use me.
There was this one movie I really wanted to do, with Gregory Peck, 'Captain Newman, M.D.,' and Universal said, 'Well, if you want that, you're going to have to sign a seven-year contract.' And I'd already been through that. But I needed it, so I signed.
I do a lot of teen shows and voice over work for animation, so when I got the part in 'The Number 23,' it was really cool because now I get to be in a movie with Jim Carrey. Acting in this movie was really a learning experience for me.
Things like, people saying the new album would debut at number one on the Billboard Charts in the U.S. and I said, "No it's gonna be number Three." Because Number 3 is a very powerful number on the album. It's repeated quite often. Then it did chart an Number 3. Was it a coincidence you decide. If your in touch with your subconscious, you can really use it to your advantage
"Nought usually comes at the beginning," Ralph said. "Not necessarily," said Sibyl. "It might come anywhere. Nought isn't a number at all. It's the opposite of number." Nancy looked up from the cards. "Got you, aunt," she said. "What about ten? Nought's a number there - it's part of ten." "Well, if you say that any mathematical arrangement of one and nought really makes ten - " Sibyl smiled. "Can it possibly be more than a way of representing ten?"
It don't take a weather man to look around and see the weather, Jeb said he'd deliver Florida folks and boy did he ever, and we hold these truths to be self evident number one George W Bush is not president. Number two America isn't a true democracy. And number three the media is not fooling me.
What's with the disco lights?" Michael said, rolling down the window between the driver's compartment and the back. Eve turned around, and her face brightened. "You like it? I thought it looked really cool. I saw it in a movie, you know, in a limo." "It's cool," Michael said, and smiled at her. She smiled back. "Can't wait to lie here and watch it with you." Claire said, "You don't have to wait; it's working now. Look--Oh. Never mind." She blushed, feeling stupid that she hadn't gotten that one in the first second. Eve winked at her.
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