A Quote by Didi Conn
I never knew that I had an unusual voice. It wasn't something anybody really pointed out to me.
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Grandmother pointed out my brother Perry, my sister Sarah, and my sister Eliza, who stood in the group. I had never seen my brother nor my sisters before; and, though I had sometimes heard of them, and felt a curious interest in them, I really did not understand what they were to me, or I to them. We were brothers and sisters, but what of that? Why should they be attached to me, or I to them? Brothers and sisters were by blood; but slavery had made us strangers. I heard the words brother and sisters, and knew they must mean something; but slavery had robbed these terms of their true meaning.
I never really had to put much thought into my race, and neither did anybody else. I knew I was black. I knew there was a history that accompanied my skin color, and my parents taught me to be proud of it. End of story.
He misses the feeling of creating something out of something. That’s right — something out of something. Because something out of nothing is when you make something up out of thin air, in which case it has no value. Anybody can do that. But something out of something means it was really there the whole time, inside you, and you discover it as part of something new, that’s never happened before.
You shoot this and it always has something of yourself - sometimes it's more and sometimes it's less. I think after the shooting it depends on who your character is. You definitely learn something about yourself, or you get to know sides that you knew you had, but you had never activated or triggered in a way that allowed you to let them out. Bad and good, all of this is in all of us. But you definitely meet another side or a quarter or ten percent of yourself that you had an idea of, but never really knew about.
I was never raised to think that I was pretty. It's not that I was raised to think I was unattractive, but it was just never something that was pointed out to me by my family. They would point out personality traits — 'our daughter is really quirky' — versus what I look like, because inevitably, looks go, so it makes no difference.
We're always being told 'find your voice.' When I was younger, I never really knew what this meant. I used to worry a lot about voice, wondering if I had my own. But now I realize that the only way to find your voice is to use it. It's hardwired, built into you. Talk about the things you love. Your voice will follow.
A friend of mine, a poet, Rebecca Wolff recently said to me, "You know, your stories are really voice-driven," and I guess I knew that already, but it's so true that I can't get something going unless I can hear the voice.
Now when I had mastered the language of this water, and had come to know every trifling feature that bordered the great river as familiarly as I knew the letters of the alphabet, I had made a valuable acquisition. But I had lost something, too. I had lost something which could never be restored me while I lived. All the grace, the beauty, the poetry, had gone out of the majestic river!
People hear my dad is involved in politics, and all of a sudden I went to private school and had a nanny. There's a misconception that my dad, that our family is some kind blue-blood family... If people knew my friends, talked to anybody I grew up with, knew anybody from my old neighborhood, they'd know that's really, really far from the truth.
I thought everybody had falsetto. And since I wasn't a schooled singer who studied with anybody, I just thought anybody who had a voice could do anything they wanted with their voice.
In addition to myself and a number of others, President Clinton talked about the deficit and the debt issue. And he pointed out, really, what I pointed out, which is that when he left office, we actually had projected surpluses for a long period of time, because when he put together his economic plan, he did it in a balanced way.
I didn't know I was going to go into musical theater necessarily. It was never planned. I just kind of fell into it because I knew I wanted to act, and yet I had this opera training... I knew I had a voice.
It was my Mum who got me into singing properly - she knew I had to do something with my voice because she knew I was talented. She was the one who pushed me into joining a choir all those years ago, when I was about 12. I remember she told me to start with the choir and just see where it took me.
Once I had the voice, I knew I wasn't going to fall off the bicycle. I tap right back into it. It really was like learning how to ride a bike - you never forget, and I was able to carry it along with some ease. I never encountered any stumping problems that left me not knowing what to do, so I was mostly able to hold my ground. Of course, I should mention that it took me a long time to actually acquire the voice; there were a lot of frustrated attempts along the way, revisions to long sections and versions of the book that I abandoned.
Like my writing, my voice has been something I've worked at. I knew I had a good voice but it was a matter of time before it was what I've got now. I've had to build my vocal muscles up until they were like Arnold Schwarzenegger.
It was a really strange way that I came into music. Once I gave voice to it, the pit of emotions that I guess I knew was inside of me for a long time, the stream never really stopped.
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