A Quote by Didier Deschamps

It happens to attackers that they have a longer or shorter period where they are not always efficient. — © Didier Deschamps
It happens to attackers that they have a longer or shorter period where they are not always efficient.
In a second-class courtesan house, the courtship was much briefer. It could even be one night; usually it went on a little bit longer. But as the years went by, that period of courtship was shorter and shorter.
I cut up loads. I always want everything shorter, shorter, shorter.
Whatever he says, let his inner resolution be not to bear whatever comes to him, but to bear it 'for a reasonable period'--and let the reasonable period be shorter than the trial is likely to last. It need not be much shorter; in attacks on patience, chastity, and fortitude, the fun is to make the man yield just when (had he but known it) relief was almost in sight.
Sometimes, instead of purchasing a commodity out and out, people want to buy only the use of it, for a longer or shorter period. The price paid for such temporary use is commonly called hire.
Not only the attackers, but the defenders - it's on the attackers to prepare themselves to break through the strong defense.
... when there is a war the years are longer that is to say the days are longer the months are longer the years are much longer but the weeks are shorter that is what makes a war.
In fact I no longer value this kind of memento. I no longer want reminders of what was, what got broken, what got lost, what got wasted. There was a period, a long period, dating from my childhood until quite recently, when I thought I did. A period during which I believed that I could keep people fully present, keep them with me, by preserving their mementos, their "things," their totems.
Street art is designed to be seen out of the corner of your eye, on the hoof. Art that's made for galleries is made to be looked at in a more static way for a longer period of time and may not be so striking immediately, but perhaps resonates for a longer period.
I wish I was a bit shorter, as I think shorter people have better walks. Freddie Fox, the actor, is shorter than me and has an amazing gait; and Tom Cruise has a brilliant run. I'm just gangly.
Strangely, I always have a lot of cut scenes. I keep writing shorter and shorter scripts, thinking that this time, I'll get all my scenes in.
We know that people who are born with shorter telomeres than normal also have a shorter lifespan. We know that shorter telomeres can cause a shorter lifespan.
I have no very sophisticated understanding of literary forms. Short stories are shorter than novels, and poems are typically shorter than either, though not always.
I'm fascinated by the period that goes from the Industrial Revolution to right after World War II. There's something about that period that's epic and tragic. There's a point after the industrial period where it seems like humanity's finally going to make it right. There were advances in medicine and technology and education. People are going to be able to live longer lives; literacy is starting to spread. It seemed like finally, after centuries of toiling and misery, that humanity was going to get to a better stage. And then what happens is precisely the contrary. Humanity betrays itself.
I think often people fall into the breadth trap of wanting to do too long a period of time, and obviously there's this sort of algorithm of how much depth you can put into something times how much of their life you're trying to show. My attitude has always been, I'd rather show a briefer period of time in more detail than a longer period of time in less detail.
As competition intensifies, the need for creative thinking increases. It is no longer enough to do the same thing better . . . no longer enough to be efficient and solve problems.
The point is always made that capitalism is efficient, people say 'You might not like it, but it works.' But Britain is not efficient.
This site uses cookies to ensure you get the best experience. More info...
Got it!