A Quote by Didier Deschamps
Players like me, we did something of a thankless job. You don't show a hard tackle or stripping someone of possession in slow motion on the big screen. But if you add it all up, I was always the one that the coaches wrote down automatically on the lineup card.
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I just want to be in the lineup. If I'm on that lineup card I'm happy.
One thing I hate is people screaming at me. If you want me to do something, talk to me. When someone screams at me to hurry up, I slow down.
I always felt like something of an outsider. But I identified with people up on the screen. That made me feel like I wanted to be up on the screen too. I felt like eventually I would get there.
As good as NFL Films is at making players human, it's even better at making players superhuman. No Hollywood studio has made movies that are more grand or gorgeous. Every meticulous shot of 'Hard Knocks' is a vision: every slow-motion spiral, every shaved head steaming like a Manhattan manhole cover.
Well, to have some teams come at you like Montreal did, it’s definitely flattering, and I think it was good for me to also set a precedent for players like me and how important we can be to teams. That was something I was happy to do as well, you know? Sometimes players like me are maybe overlooked or not looked at as an important piece to the puzzle, but it was something I wanted to prove and wanted to show.
There is a big difference between No. 1 and No. 2. I don't care who wrote it. I'd love to one day have a No. 1 that I wrote, but if that ain't in the cards, whatever. My job is right now is to make the best music I can and try to get it to the people, whether it be something that I wrote or not. It's my job to be the best I can for the fans.
All I do is write their names on the lineup card and let them play. It’s not a tough job. I haven’t misspelled one name yet.
Always, I'm a competitor. Growing up, it's the same thing. I always wanted to compete and show how good I am. I did it in college to get the No. 1 pick, and now that I'm here, I'm going to keep getting better to prove I'm one of the best guards and players in the league. It's a long, slow grind, so I'm just taking my time every day.
When someone has to do work for me, I lose my mind. I can't help it, I'm a bit of a control freak. I've always wanted something that would depict slow-moving paintings, stunning artwork that also incorporates movement. It was hard letting someone else create that vision for me, but I love it.
Every time I see his name (Dean Chance) on a lineup card, I feel like throwing up.
Some players like to add a little more spice to their no-limit Hold 'em game. They add a live blind, also known as a straddle, where the player to the left of the big blind voluntarily puts up twice the big blind before looking at his hole cards. The player in the straddle then has the option to raise it up when the action returns to him.
Some bruises you wear like badges of honour: when you got it playing rugby, or quad racing, or falling off something while drunk, no opportunity is lost to show off a good contusion. A bruise inflicted by someone else, however, is a whole other story: it's like a big flashing arrow marking you out as punchable, and before long there'll be boys queuing up to add bruises of their own, as if they'd just been waiting for somebody to show them it could be done.
Man, coaching is a hard job, and it requires a lot of time... I hear stories from coaches who tell me that players call them in the middle of the night not knowing where they parked their car.
For me, managing my energy means slowing myself down before the big event. I slow down the racing thoughts in my mind. I concentrate on and slow down my breathing. I listen to and steady my heart rate.
I keep up with James Kochalka's online strip, and if I see a link somewhere or someone tells me about something, I'll look at it, but I don't usually keep up with any sites other than the 'American Elf.' I always have this feeling that there's not enough space in the screen, like everything's always getting cut off.
Chicago is a big town for magicians and card hustlers. So when I was very young, a fellow sat me down and taught me the Three-Card Monte. And that kind of put me in a - pointed me towards easy money.
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