A Quote by Didier Drogba
People think footballers are all like robots - we can control everything on the pitch. But your heart is beating 200 times a minute; it's very, very physical.
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Everything too fast is not good but everything too slow is also not good. You need balance. That's why I like martial arts: it always tells you how to control your body, your mind, your heart. Balance. Balance can keep the world's peace. I think that's a very good thing.
Anxiety affects everyone differently. I spoke to someone who felt like their heart was beating 1,000 times a minute. With me, it was a dizziness, feeling sick, constant, 24 hours a day.
Our times seem to be so much about redefining where we are physical and where we're not. For me, it is really exciting to take the cutting edge technology and take it as far as it can get virtually, use it to describe/control the musicology or the behavior of raw natural elements, and then plug it with a sound source which is the most acoustic one there is - like gamelan and pipe organ. So you get the extremes: very virtual and very physical. In that way you shift the physicality.
With fiction, I felt like I could bring to bear my full imagination, my entire heart, and so you feel very vulnerable. It's not your physical life, but it's everything else, so it felt like a lot was at stake.
So robots are good at very simple things like cleaning the floor, like doing a repetitive task. Our robots have a little tiny bit of common sense. Our robots know that if they've got something in their hand and they drop it, it's gone. They shouldn't go and try and put it down.
A lot of Brazilians are very superstitious, especially footballers. I'm the same. I always step on to the pitch with my right foot first.
I am very much aware of my own double self... The well-known one is very under control; everything is planned and very secure. The unknown one can be very unpleasant. I think this side is responsible for all the creative work - he is in touch with the child.
I think as much as the city is changing us, our experience inside the city also changes. I think, a city like Cairo - and it's interesting because yesterday, a friend of mine told me the same this thing about New York - is a city that you can't control. It's very bold and very aggressive, and it will constantly resist any attempt at control. But even though you can't control it, you can find your path within the city. You can come to a better understanding of your relationship with it.
I am very much aware of my own double self. The well-known one is very under control; everything is planned and very secure. The unknown one can be very unpleasant. I think this side is responsible for all the creative work - he is in touch with the child. He is not rational; he is impulsive and extremely emotional.
The reality is that we’re in very politicized times. The complete antithesis of Obama is Trump. We are in very polarized times. People are taking a very strong view after a period of time, I think, where people fell asleep on politics to a certain extent.
It's hard not to love Roomba. Roomba had such an amazing impact on the field. When we launched, we asked people, 'Is it a robot?' and got an overwhelming no - 'robots' have arms and legs; they command data. There was a very strong perception that robots had to look like people.
I remember my heart was beating very fast when I had to call him because he's like one of my heroes. But he's Owen Wilson. He's lovely and very charming and it was just really fun talking to him.
Brexit for me was really interesting because I was in the heart of Yorkshire, which is a "leave" area. It was quite odd actually, a real deep sense of unease. You felt very odd for your country. You have lots of people that are angry. It's a very physical and public stand that these people are making.
The very beating of your heart has meaning and purpose. Your actions have value far greater than silver or gold.
When a great moment knocks on the door of your life, it is often no louder than the beating of your heart, and it is very easy to miss it.
In Israel, there is this reduction of the political discourse to something that is very limited. It's as if you have that pitch that only dogs can hear. Sometimes I feel I speak at such a pitch that very few people around me communicate with what I'm saying.
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