A Quote by Dido Harding
It's very tempting to go part-time and take up a number of non-executive directorships because everyone is crying out for talented women.
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How do women still go out with guys, when you consider the fact that there is no greater threat to women than men? We're the number one threat to women. Globally and historically, we're the number one cause of injury and mayhem to women... You know what our number one threat is? Heart disease.
When a series is doing well, it's very tempting to keep writing it, even when the creative well is drying up. It's tempting because that's where the money is. I've had to be very careful; as soon as I think I'm getting close to that dry well, I wrap the series up. I don't want to just keep writing something because it sells.
What I've done in this older part of my life is I started foundation called 261 Fearless, named after my old ,1967 Boston Marathon, bib number.I thought we could create training and a communicative, non-judgmental platform, in a movement to let them know they're not alone. Then fearless women can reach out to help women who are fearful and take that first step using the vehicle of running because it's transformational. It works for every woman every time.
There are any number of reasons many talented people, particularly women, leave their careers for a period of time.
Girls groups tend to break up more because sometimes it's hard for women to get along. And everybody is like, 'They're breaking up over silly stuff.' That's not the silly thing to me - to break up. The silly part is that you couldn't get back together. It's about working out, because everyone has their differences.
There is a difference between executive producing and producing. Producing, you have no life for two years. You take everything personally, you want to kill everyone, you're depressed and angry, and then in the end you feel excited when it actually works. But executive producing, you can go home at the end of the day.
Talented people have a responsibility to get the training they need to be successful risk takers and go out there to take risks. What I see is surplus of talented people and a shortage of people willing to take the risks.
Women are the cowards they are because they have been semi-slaves for so long. The number of women prepared to stand up for what they really think, feel, experience, with a man they are in love with is still very small.
Somebody can do a ten year stint in jail and when they come home, they can be a rapper. Or, they can go from doing the 9-5 thing and become a rapper because everyone else is doing it. I think that the test of time will tell. If you look around you'll find out who really wants to do it and who is doing it for the come up. I think that's the greatest separation. At some point along the line, it became gangsta to not be talented!
In the nineteenth century, in part because a ton of American men moved west, in part because of the Civil War, and in part because of trepidation about marriage, which was then a very confining institution, there was a big population of women - mostly middle-class white women on the East Coast - who didn't marry.
I am crying, he thought, opening his eyes to stare through the soapy, stinging water. I feel like crying, so I must be crying, but it's impossible to tell because I'm underwater. But he wasn't crying. Curiously, he felt too depressed to cry. Too hurt. It felt as if she'd taken the part of him that cried.
In German science, we have a special problem. We lose talented women at the time they get pregnant. Some of it occurs because they are encouraged - by their husbands, bosses and the government - to take long maternity leaves.
Under the old system - which is now so archaic that a lot of people can't remember it - if you wanted money you had to go to the bank and take the money out in cash form, and you couldn't take out money that you didn't have. But with the credit card you can spend money you don't have, and that is just so tempting.
If family and society tell you its unfeminine, not really womanly, to be aggressive, to speak up, to have strong opinions, to take up space, then women won't trust their own voice, because to be heard and to be influential, you've got to have a way to sing out with passion and love and self-trust - to sing out your song for everyone to hear.
I'm still really close with everyone at home and their parents - and their brothers and sisters. I was so, so, so lucky to grow up as part of a community and I don't take that for granted. I try very hard to stay part of it.
I remember crying all the time. My major thing growing up was I couldn't fit in. Because I was from everywhere, I didn't have no buddies that I grew up with...Every time I had to go to a new apartment, I had to reinvent myself, myself. People think just because you born in the ghetto you gonna fit in. A little twist in your life and you don't fit in no matter what. If they push you out of the hood and the White people's world, that's criminal...Hell, I felt like my could be destroyed at any moment.
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