A Quote by Diego Klattenhoff
I mean, Robert Pattinson. No, I’m kidding, I shouldn’t say that. He’s actually really nice. My neighbour works with him and said he was a great guy. I don’t know to be honest, I don’t really model myself after anybody. You’re always just trying to create opportunities and be ready when those opportunities present themselves. I can’t look at anybody and think ‘I want to be Damian Lewis’ – I’d be setting myself up for failure.
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You're always just trying to create opportunities and be ready when those opportunities present themselves. I can't look at anybody and think 'I want to be Damian Lewis' - I'd be setting myself up for failure.
I don't know - to be honest, I don't really model myself after anybody.
I'm not setting too many expectations for myself. I'm just trying to create opportunities for something interesting.
I think all jocks have a sensitive side. It's just, will they show it to anybody? Will they let their guard down and stop being tough and the cool jock guy around their friends, or just relax? I don't know if it's best to say opening up, but just relax and really say what you're actually thinking, and not what you think people want to hear.
I think any girl would throw me under a bus to be within five feet of Robert Pattinson. I actually think he's an attractive guy. And I watched most of 'Twilight,' and I think he was really intriguing.
I just think make hay while the sun shines really when you're an actor. When the opportunities present themselves you just better take them, otherwise you just don't know.
I would seriously question whether anybody is really foolish enough to really say what they mean. Sometimes I think that civilization as we know it would kind of break down if we all were completely honest.
Jerry Sloan was a guy that I always respected, but I thought he was mean. Like, he was a guy that was just no nonsense. When coach and I got closer during the Olympics, I said, 'Coach, I always just thought you were this mean guy, but it was really nice to get to know you and your family.'
My second or third year in the engineering department, I got very frustrated, and I sat down with myself and had a soul-searching conversation with myself and said, 'What I'd really like to do is see if I can write comedy.' ... I moved to L.A. stone cold. Didn't know anybody; didn't know how to go about it. Really started from scratch.
I'd say my relation to being a woman is, I mean being a woman is whatever you want because the concept of gender is not really real, you know? And so for me it's about being comfortable in myself. It's about allowing myself to express who I am in any way that I want to, whether that be through my clothing, the way I present myself to the world, whether that be through like my gender identity and my pronouns. It's just really about allowing yourself to really be expressive and creative.
Since I'm not a fashion model, there's a limit to how nice I can make myself. I don't regard myself as an ugly person, but I don't think of myself as someone who would choose to be a model. I'm somebody who might be, I'd like to think, a role model for people who want to become lawyers.
Everybody wants to be fancy and new. Nobody wants to be themselves. I mean, maybe people want to be themselves, but they want to be different, with different clothes or shorter hair or less fat. It's a fact. If there was a guy who just liked being himself and didn't want to be anybody else, that guy would be the most different guy in the world and everybody would want to be him.
I got to play in a crowd, play in Wimbledon finals, be the guy on a Davis Cup team for a while. Those are opportunities not a lot of people get. As much as I was disappointed and frustrated at times, I'm not sure that I ever felt sorry for myself or begrudged anybody any of their success.
I think, ultimately, the problem with something like this is that you actually have so many more opportunities to say something than you actually have things worth saying. And then, as an artist who doesn't want to do bad work, gosh, how do you fill up all that space when you really don't have anything actually worthwhile to say? And that's what makes the job tough, because the fans get mad - "That's not funny," or "You've been sucking for several months now." And you go, "It's not my fault! I'm trying."
I never really thought of myself as a captain. I always thought of myself as a guy trying to win games, a guy who could look back and have no regrets.
When we're in the story, when we're part of it, we can't know the outcome. It's only later that we think we can see what the story was. But do we ever really know? And does anybody else, perhaps, coming along a little later, does anybody else really care? ... History is written by the survivors, but what is that history? That's the point I was trying to make just now. We don't know what the story is when we're in it, and even after we tell it we're not sure. Because the story doesn't end.
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