A Quote by Diego Klattenhoff

I can't tell you how good it is to go from 'Homeland' to be lucky enough to find 'The Blacklist' at the right time. It literally came at the very end of pilot season when I thought there was nothing left.
Pilot season isn't perfect, and it certainly is a very difficult time. But pilot season does work for us.
The Beatles are lucky, very lucky. But what has happened to them has nothing to do with them, in a sense. They came along at the right time. Attention was focused on them. They've had the chance to grow in almost any direction they wanted. Very lucky. They are not exceptionally talented.
From an actor's point of view, you never really like to hope that anything will go beyond the pilot. I'd always say to my agent every time I filmed a pilot, 'Great! Well, I'll see you at pilot season.'
I can definitely tell you what viewers can expect from Season 2 [of 'Zoo']. It picks up right where Season 1 left off - the gang facing this wall of animals charging at a car. And so, it'll be satisfying in that way. The cliffhanger in Season 1 just kind of went to black screen. It picks up right where that left off. And from there on, the stakes just continue to rise in the season, and I think it's really adrenaline-filled.
The 'Lost' pilot was wide enough and included enough things so that when Season Five came, and we spent half of the year in 1973, nobody cried foul. It felt like it was already a part of the DNA.
Miles Davis came in a couple of days and said, "Oh, man, I love that. Keep going." So he said, "Let me know when you need trumpet." And he came in, and he was sitting there, and I was very intimidated, because now he's going to play the trumpet on something that I wrote." He starts to play, and I go, "That's not right, but I don't know how to tell him it's not right." Finally he goes, "When are you going to tell me what to do?" He said, "This is your music. I know you know how it's supposed to sound. Stop fooling around. We don't have time."
I'm a medevac pilot. I have spent time suppressing wildfires and things like that. And as a combat pilot, I tend to find the biggest bucket of water I can find and put it on the biggest fire I can find, right?
Success in America - what I find with my homeland, nothing lasts very long. Europe is different. You're right there with them until you come back.
I think a pilot is a pilot, no matter who's judging it, but I will say I am thinking a lot about how to tell stories for the series in a streaming environment where you can anticipate a huge portion of the audience will consume an entire season in the course of a day, two days or a week.
It is a miracle if you can find true friends, and it is a miracle if you have enough food to eat, and it is a miracle if you get to spend your days and evenings doing whatever it is you like to do, and the holiday season - like all the other seasons - is a good time not only to tell stories of miracles, but to think about the miracles in your own life, and to be grateful for them, and that's the end of this particular story.
Money came in left, right and centre; you just thought that's how it was for everyone and that's how it will always be.
The famous pilot season literally sends shivers down my spine.
I'm 6-9. But somehow I'm lucky enough to where I can go into Neiman's and find a shirt I like and it fits just right.
You read a million scripts during pilot season, and most of them are not very good, so the good ones really shine.
If I would characterize my life, I would say that I was a very lucky actor who came into very lucky times, and got to Hollywood, and was put under contract by Warners in the very last days of the studio contract era, and was privileged to go through that time which is gone now.
When I came to the industry, I didn't know how to meet people, how to tell them that I'm good enough and how to get my first break. It was trial and error for us.
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