A Quote by Diego Luna
I was six when I started working in theater. I chose to be an adult before I should be.
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I want to keep working. I want to step away from young adult fiction. I want to do theater periodically - Farragut North reminded me how great it is. I started out in theater. I trained in theater and then I kind of fell into film and TV. I want to work with interesting artists, talented actors, talented directors, and talented scripts. Not necessarily leading roles.
I started in theater. I did theater professionally for seven years with my company before I started doing 'Friends.' I was waiting tables and doing theater.
It wasn't until 2013 that I even started working in film. It was always something I wanted to do from six, but I didn't know how to get there other than working really hard and going to New York and doing theater like I saw on the bios of some of my favorite actors.
I've been working in theater, really, since about 1965. I started working with the Mabou Mines about then, and in a way I've always worked in the theater, but it's never been a main part of my work. And it wasn't until Einstein that I kind of shifted into high gear with theater, working with Bob, with Bob Wilson. And since then I find it a very attractive form to work in. It's just an extension of my work.
My mom started working at the California Shakespeare Theater in Oakland when I was two years old, so I've always grown up around theater.
I started doing documentaries in the first place because of the war. I always wanted to do feature films, and I studied directing when the war started, so I was working with actors before, in film and in theater. So I think it's easy to work with actors when you have a script that is clear, when they know what and why they are doing it.
I came up through the theater. I came out of drama college and started working in the professional theater.
I started working in New York City as an actor and did many plays. I did regional theater, smaller theaters, children's theater.
I got the job [in Moana project] about six months before we started rehearsals. No, seven and a half months before we started at the Public, and so, it's been my ocean of calm throughout the Hamilton phenomenon.
Even before I started going to movies, I loved the idea of them. When I started learning to read as a kid, I started reading the movie pages in the paper and I could tell you what was showing at every theater within a ten mile radius of our house.
Chose? If you believe that I chose any part of the pitiful shadow of a life you see before you, you are very much mistaken. I chose glory and success. The box did not contain what was written on the lid.
When I started out doing comedy, I was still in college and was working day jobs. I taught preschool for a few years. And then I got more into freelance writing. So stand-up has always been my primary independent creative mode of expression. I've done it my whole adult and young adult life.
I was interested in virtual reality for several years even before working at USC, it wasn't an interest that started there at all. In fact, when I started working at USC, I already had prototypes of the Rift that were very similar to the final design.
The Good News borne by our risen Messiah who chose not one race, who chose not one country, who chose not one language, who chose not one tribe, who chose all of humankind!
In 1996 I was working on a play in New Orleans, and they needed a drag queen. I offered to play the role. That led to guest appearances at bars, which led to regular appearances at bars, which led to hosting. I eventually started working six days a week in bars before moving to N.Y.C.
I've had some very close encounters with the other side. They chose me to do this - I was doing this all before a TV show. They chose me to communicate with them; they chose my path as a paranormal.
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