A poet's mission is to make words do more work than they normally do, to make them work on more than one level.
'Robin's Test' is more contemporary than what I normally do. It's about couples going on a camping holiday for a 50th birthday. Two couples go, and then this other couple were going to come, but they've broken up, and so the man from that couple turns up, but with a new girlfriend that nobody likes - and I'm playing that character.
The great hope is that people who wouldn't normally make films will be making them. Suddenly, one day some little fat girl in Ohio is going to be the new Mozart and make a beautiful film with her father's camera and for once the so called professionalism about movies will be destroyed forever - and it will really become an art form.
If you make a film normally it's all right, the distributors are helpful and cooperative. But if you make a film that's a little stange, a little bizarre, then all the time it's a struggle with them.
If you think of a solo artist, you normally know them by their name; you don't normally describe their kind of music. You just say, 'It's so and so, or it's so and so.' But with bands, everyone feels an obligation to categorize them.
I think what happens normally in a narrative film is that the camera constructs the reality.
It seems odd, but people who see my films normally take them in in a deeper way than you would actually watch a film, let's say The Terminator or whatever.
I can't belong to groups. I've tried. I behave normally, but people don't look at me normally.
Normally, in a film with lots of twists and turns, half of them don't make sense; they're just there for their own sakes.
If you behave normally, people treat you normally. It's only when you act as if you're someone special that they feel obliged to stand on ceremony.
Normally, when people compose for film, you give them the film, and they look at it, and they compose it.
At my ashram, people work long hours joyfully because they are inspired. When people are involved and joyfully doing something, they usually turn out ten times more and do more than what they would normally do as a duty.
It is something more fleeting than what you normally see. People might somehow take it into their own dreams, into their own life, in a way. I hear it more recently; people are telling me that when they leave the theater and see one of my films, they are not alone anymore. It's probably more that kind of feeling. If I managed to do a film like that, everything is fine.
It normally happens that if you put two words together, or two syllables together, one of them will attract more weight, more emphasis, than the other. In other words, most so-called spondees can be read as either iambs or trochees.
Normally you have more adrenaline and tension when you see 80,000 fans, screaming after every corner or chance. You have to push yourself and your teammates. Normally when there are fans you are focused just because of that. You feel mistakes more. Also you feel more if you score a goal.
I normally live in Los Angeles, if you can call it normally living.