A Quote by Diego Luna
I'm always going to be working on my English, and I'm always going to work on my English so that I can do different characters from different nationalities.
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People are always saying, English, English, English rose, and I just feel so completely different.
You know, now there is always half of the new Quebecers who are going to the English CEGEP. After that, often they are going to work in English. So for us, that is so important. We are a real minority in North America. Two per cent of the population are French-speaking. We have to protect this reality.
I changed my major to English literature, which was on the advice of my father. I finally said, "You know, Dad, to heck with it: I'm just going to be an actor. But I'm going to go to school." And he said, "Well, if you're going to go to school, then major in English literature. Those are the tools you are going to be working with as a man who's going to be acting in English, one would assume."
To be blunt, I feel like lyricism in Spanish is of a different quality than English. You can get really poetic in Spanish, but I feel like if you do that in English, you risk sounding cheesy. In Spanish, it's never that. It's always this deep, passionate, beautiful imagery; it's painted different, a different color.
Every year is different. I'm not getting any younger trying to keep it going. It's always a challenge. It's like a boxer going into a ring. You never can tell what's going to work and what's not going to work until you're in action and everything is going on around you. It's very intense and always a challenge and always a thrill.
When I'm on television, I'm talking to millions of people, so the conversation is totally different. My words are different. My diction is different because now I'm really talking American English and not homeboy English.
When you go to school in Holland you learn to speak English and write in English - but English is different from the Scottish language!
I know you think that when you're 35, 45, 55, you'll be different. But I'm going to let you in on a bit of a secret. You're going to look different, and your life is going to be different, but in your head you'll always be that 16-year-old girl.
I've always loved film and wanted to work in film. I just love working and creating new characters, and trying different genres and different things.
When I work in English, I'd say I don't see a big difference in my rapport with my team or the actors. When I work in English or French, the music of the language is different, but beyond that music, in the depths, it's the same.
We do not for example say that the person has a perfect knowledge of some language L similar to English but still different from it. What we say is that the child or foreigner has a 'partial knowledge of English' or is 'on his or her way' towards acquiring knowledge of English, and if they reach this goal, they will then know English.
James Joyce's English was based on the rhythm of the Irish language. He wrote things that shocked English language speakers but he was thinking in Gaelic. I've sung songs that if they were in English, would have been banned too. The psyche of the Irish language is completely different to the English-speaking world.
It's always good I think in general to have different energies on screen, like it's nice to have different characters go at different speeds, just like different people work at different speeds.
I'm a constant work in progress, always working on every aspect to get better and better. You're always going to see a different Tyson Kidd.
It's normal that if you are working with a lot of people, then you have a lot of different mentalities and characters. You have the serious guy, and you have the one who is always complaining and the one who is always talking. Everyone is different.
There are certain concepts, which exist in English, and are unthinkable, untranslatable into Hebrew and vice versa. Hebrew has a system of tenses, which is, in a big way, different from the English system of tenses, probably different than any European system of tenses, which means a different sense of reality, which means a different concept of time. So, things can be translated, but they become different.
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