A Quote by Diego Luna
I started to work when I was really young. For me, friendship is work, and work is friendship. Those who are next to me and that have been there for a long time are those who can work with me, play football with me, and go watch a film with me.
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I was only 26 when I started my career. Those days I only wanted to work. When my films did not work, I didn't know what to do. But I never went to anyone for work. Work came in search of me.
Lord, use me today, use me for your glory, make me bold, stir me up, give me eyes to see the needs of those I work with, give me a heart sensitive to those who are hurting, give me a prompting of the Spirit to minister to those who are around me.
My dad told me, 'If you're going to go out there and play baseball, or you're going to play basketball or football, work hard at it no matter what. I want you to have fun with your buddies, but you have to put in the time because this is your craft.' He didn't just want me to be good. He pushed me to that next level.
Our friendship was based on my payouts. That wasn't a friendship when - as, for example, it's me, my friends, we are friends for many years, and it doesn't matter for me what the position is, where they work; we simply are friends. And with Mr. Berezovsky, our friendship was based on my payoffs.
I wasn't a rebel. It kind of clicked in my head, like, if I want to do this, I can go out and do it. Some kids, it clicks for them, and it doesn't work out. But thank God for me it did work out. I put in all those hard hours of work, and it has gotten me to where I am.
Whichever work you do, people go through life having several priorities. I know my football is what got me here. The work I do for SOS or my charity work in general has always been a priority for me, and then my family is a priority as well, so you set yourself different things, and they just balance each other out.
I started out as a fashion photographer. One cannot say that I was successful but there was enough work to keep me busy. I collaborated with Harper's Bazaar and other magazines. I was constantly aware that those who hired me would have preferred to work with a star such as Avedon. But it didn't matter. I had work and I made a living. At the same time, I took my own photographs. Strangely enough, I knew exactly what I wanted and what I liked.
The beginning of a friendship, the fact that two people out of the thousands around them can meet and connect and become friends, seems like a kind of magic to me. But maintaining a friendship requires work. I don't mean that as a bad thing. Good art requires work as well.
I'm one of those actors who says, "Point me toward the work that matters to me and I don't care where you're putting it. Television show. Movie. Projected on the back of someone's garage." If that's where the work is that's exciting to me and moving, I want to be there.
I have been getting proposals to play the lead from a long time but I rebuffed those offers. I wanted to work in a storyline that has scope for me.
I wouldn't go so far as to make 'You Don't Own Me' a tango or 'It's My Party' a hip-hop thing. Believe me, those things have been suggested to me. But I thought if I could stay true to the song, the arrangements would work. I'm really enjoying singing them.
As an academic I feel I should intellectualize and theoretically analyze when all I really want to do is let the work take me somewhere, manipulate me, and then rough me up a bit. When it comes right down to it, I only want to spend time with work that makes me think and teaches me something while making my body react.
I don't work for the commercial success of the film. I work to satisfy my producers who give me the money. I work to satisfy the director who has written a script for me. Of course, I have to satisfy the actor in me, but I want to satisfy them first.
I watch films that inspire me and make me want to go to work the next morning, that really push you and motivate you. So in that aspect, I look up to a lot of people.
Basically, my deal is that I choose roles based on three criteria. One is the role, obviously, if it's something that speaks to me. Two is, are they gonna pay me? And three is, who am I gonna work with? And, really, if one of those is there, I'm pretty likely to do it, but it's particularly important to me who I'm going to work with, 'cause that's part of the joy.
All my work, really, is based on my brothers and sisters. I had so many adventures with them and a big part of the work is to recreate those. It's easy for me to be around a lot of people, because I can retreat. I can watch everything.
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