A Quote by Diego Sanchez

I had, in a way, become 'The Nightmare' in the cage, but also out of the cage. That's why I changed to 'The Dream.' But 'The Nightmare,' is who I am as a fighter and that's the way it's going to stay. I'll be a nightmare inside the cage and a dream outside of it.
When a captive lion steps out of his cage, he comes into a wider world than the lion who has known only the wilds. While he was in captivity, there were only two worlds for him - the world of the cage, and the world outside the cage. Now he is free. He roars. He attacks people. He eats them. Yet he is not satisfied, for there is no third world that is neither the world of the cage nor the world outside the cage.
Train hard and try new things; everything you do outside of the cage counts as experience inside the cage.
What happened when you woke up?" "I was having a dream. I don’t know what it was, but when I woke up, I had this awful realization that I was awake. It hit me like a brick in the groin." "Like a brick in the groin, I see." "I didn't want to wake up. I was having a much better time asleep. And that's really sad. It was almost like a reverse nightmare, like when you wake up from a nightmare you're so relieved. I woke up into a nightmare." "And what is that nightmare, Craig?" "Life." "Life is a nightmare." "Yes.
If I didn't mould my reality then I'd still be in the ghetto where people like me are supposed to stay. You have to dream your way out of the nightmare.
Imagine a dense forest full of tigers and you in a strong steel cage. Knowing that you are well protected by the cage, you watch the tigers fearlessly. Next, you find the tigers in the cage and yourself roaming about in the jungle. Last, the cage disappears and you ride the tigers!
My talk is inside of the cage. This is my real words where I talk every time. I think this is really important. You can speak before the fight on whatever you want, but inside of the Octagon, inside of the cage, it shows who you are. You can speak whatever you want, but who you are is who you will be inside the cage.
My mother was a biographer's dream and a nightmare. She was a dream because she was a classic to write about and everybody loves her. She was a nightmare because there are no scandals, quasi-cruelties, no really juicy stuff.
For a wrestler, I think it is much better to fight in the ring than in the cage. The cage has more advantage for the stand up fighter.
America is not so much a nightmare as a non-dream. The American non-dream is precisely a move to wipe the dream out of existence. The dream is a spontaneous happening and therefore dangerous to a control system set up by the non-dreamers.
I had the nightmare when I was like nine or ten or something, I always remembered pieces of that nightmare, the feeling from it. I've always wanted to make a horror film and so I always kept thinking about that nightmare.
Benson is a champion. I'd be lying to you if I said I wasn't scared to death inside this cage, stepping into the cage with that monster.
A cage that allows someone to walk around inside of it is still a cage.
I see the dream and I see the nightmare, and I believe you can't have the dream without the nightmare.
When I first started painting, I had an interesting nightmare about Cleveland - I dreamed the houses there were encased in this free-floating cage structure. I guess Cleveland was a confining place for me, even though my parents weren't too conservative.
Why would anything change that has not been changed since the existence of cinema? [James] Baldwin somehow wakes you up to reality. It takes you out of the dream - or out of the nightmare.
The title of my book is 'American Histories,' plural. And as far as I'm concerned, my reading of history is it is a sort of nightmare. It is a sort of nightmare, and I'm trying to wake up from it. And as any nightmare, it's full of much that is unspeakable.
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