A Quote by Dierks Bentley

When I got to Nashville, people started asking me about how I got into country music. I'd tell them I came from a place where people wore cowboy hats for a real reason. — © Dierks Bentley
When I got to Nashville, people started asking me about how I got into country music. I'd tell them I came from a place where people wore cowboy hats for a real reason.
Nashville is wicked. It's like a proper music community, but it's also quintessentially American. You bump into people there with cowboy hats that spit in jars and call you 'boy.' I just love that.
I live in Nashville, and I don't know how many people there would call me country. I really started in punk and anti-folk, but one of the reasons I originally gravitated towards country music is because most of those songs only use three chords. That was the easiest place for me to start, but I'm always trying to expand what I do.
When The Byrds started country-rock, we had no idea there would be such a thing. We were just trying to honor the music. We started listening to country radio. We went to Nudie's and got cowboy clothes.
I'd say the key thing is to remain true to what originally got you into music. When I wrote 'Hallelujah,' it ignited me to do music because of the love and joy that I got from writing that song. Down the road, you get all of these opinions from people; just remember what got you started in the first place.
I'm hearing from fans about how they got out of an abusive relationship. That's why I tell people you've got to watch 'The Real.' We are about comedy and inspiration, but personal moments come up, and people are moved by it.
I didn't come to Nashville to put on a cowboy hat and pretend to be a country singer. My attraction to Nashville as Music City is the variety and flexibility: the fact that there's so many musicians at your disposal, so many amazing studios and talented people that you can draw from. ... I try to be myself, but at the same time I'm learning a lot, and I'm pulling from not only from the well of inspiration that I'm getting from Nashville, but I'm pulling from my roots.
I thought how you can never tell just by looking at them what they were thinking or what was happening In their lives. Even when you got daft people or drunk people on buses, people that went on stupid and shouted rubbish or tried to tell you all about themselves, you could never really tell about them either... I knew if somebody looked at me, they'd know nothing about me, either.
My uncle Claude was my favorite uncle he was also my godfather. He and I were really, really close. He used to take me to see cowboy movies all the time when I was a little boy because I loved cowboy movies. He got a cowboy name for me, which was Smokey Joe. So from the time I was three years old if people asked me what my name was I didn't tell them my name was William, I told them my name was Smokey Joe.
In the game, you've got some people who've got money, but their music is kind of off, their music is garbage. Then, you have people with good music, but they ain't got the biggest part: They ain't got the funds. But me, I'm just all the way around the board.
One of the reasons I wanted to do a show about Nashville in Nashville was because when I lived here, the hardest thing to go out and hear was country music. Country was taking place inside the studio and it was an export.
Why should I be depressed? I've got enough money. I've got a job. People like me. There is no to be depressed. That's at stupid as saying there is no reason to have asthma or there is no reason to have the measles. You know you've got it. It's there. It's not about reason.
When I went, I hadn't had very much time to have hopes or expectations. I knew very little about Nashville, and I think that was probably good. When I was there, I got really lucky - I ended up with people that just were amazing musicians, and that's the Nashville that I experienced. That is a big part of Nashville - there's a lot of musicians, and that makes it a very special place and shapes the city.
All the good music has already been written by people with wigs and stuff...Basically what people want to hear is: I love you, you love me, the leaves turn brown, they fell off the trees, the wind is blowing, it got cold, you went away, my heart broke, you came back, and my heart was okay...Modern music is people who can't think signing artists who can't write songs to make records for people who can't hear. Most people wouldn't know good music if it came up and bit them on the ass...If lyrics make people do things, how come we don't love each other?
It's something that Cory Morrow said to me a long time ago - "Don't ever forget why Nashville is Nashville. The Opry is there for a reason. Country music lives there. Don't be bitter. And don't ever treat Texas or Nashville like either one isn't important."
Music is the reason I started talking to people. When I started singing in bars and trains, I began to learn the behaviour of people. Music was the bait that helped me get something from them and give myself to them.
... coming to a place like Nashville, which is just music music music, it's always been such an influence on me. And there are so many interesting songwriters out there, and it's such a crazy business and so many people are trying to do it, and it's all right there in Nashville.
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