A Quote by Dierks Bentley

That's what we get to do as songwriters, right? You get to explore stuff. — © Dierks Bentley
That's what we get to do as songwriters, right? You get to explore stuff.
The Songwriters Hall of fame, that's the one all the big-time writers get into, the really great stuff, the Broadway stuff and all that. That would be something, to get your name in there.
Like I say, I'm always writing and if something sticks, it sticks. I get to write with great songwriters in town. Lori McKenna is one of my all-time favorite singer-songwriters who's ever walked the planet. I get to write with her. The Warren Brothers are friends of mine and I write with them all the time. Lance Miller is a great songwriter. Tom Douglas - you can't get any better than that. I write a lot of stuff but it's got to stick.
These days the whole 'American Idol' and 'The X Factor' and all that stuff has opened up doors for songwriters like me. I get songs on their albums.
You're gonna get what's good, you're gonna get what the generals and what the admirals and what - and the enlisted and they'll - we'll get together, we wanna get the right stuff.
You're special. I'm special. The whole world's special, so don't you forget it. The universe wants us All to be happy, Full of smiles and all that stuff, All that stuff That's happy and smiley. So get happy, happy, happy right now! Get happy, happy, happy right now! Get happy, happy, happy right now!
I'm really happy that I got to work with such fresh talent. In a day when record companies are not particularly good at encouraging young, talented songwriters to come forward and get exposure, I think it's important to give tomorrow's songwriters the opportunity.
It's hard to get the right elements together, get the right cast, get them at the time you need them, get the script completely there, and get the right budget.
People go back to the stuff that doesn't cost a lot of money and the stuff that you don't have to hand money to over and over again. Stuff that you get for free, stuff that your older brother gives you, stuff that you can get out of the local library.
The action stuff is only good if you get the character stuff in there as well. Sometimes that get lost in amongst all the trying to make stuff blow up.
I see what other people do and what songwriters don't. They don't get out and take care of themselves. Producers turn themselves into a massive brand. Songwriters tend to be under someone else's umbrella. If you're building your own legacy, it can't be under an umbrella.
For the big stuff to work credibly, you've got to get the little stuff absolutely right.
I get angry about stuff, I get very emotionally intense about stuff and that's how I get it out - with books, with the band, on my own onstage, but it's always kind of a wail.
So when a good idea comes, you know, part of my job is to move it around, just see what different people think, get people talking about it, argue with people about it, get ideas moving among that group of 100 people, get different people together to explore different aspects of it quietly, and, you know – just explore things.
Especially like right now, I'm not shooting a show so you get to act. You get to do that stuff, kind of treat everyone as 'All right, throw the paint against the wall and see what I can do with this and what people say.' I think it's a great mental workout because you have to ready something, learn something fast. It's good to stay on your toes and keep sharp if you're auditioning.
I'd advise all you songwriters out there, if you're getting into it for the business, go home and get a job digging ditches or something. Get a life. You'll learn a lot more, and you won't write a lot of rotten poetry.
It is cool to make a pilot because you get to do all the fun stuff, and then you get to leave when all the tough stuff starts.
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