A Quote by Diet Eman

Those women who had gone out with Germans were grabbed and treated very badly, often shaved totally bald so that everyone could see who they were. Some were taken prisoners. There had been so much suffering during the war because of the betrayal of those collaborators, so many killed and hurt because of what they had done to families, that the mood for revenge against the traitors was very high. It was not right, but it was understandable.
My calling was first of all to ensure there was peace in the country, because we could easily have gone back to war. In the midst of the country, there were still warlords; there were many child soldiers who had never gone to school - they were part of the social setting - compromises had to be made.
Women were everywhere in the revolution. Women participated in it, and many women were killed. Then we had the right to speak up and gain some more rights, but what happened was there was a backlash. Why? Because we have the Salafists, Muslim Brothers, religious groups.
Into this wild-beast tangle these men had been born without their consent, they had taken part in it because they could not help it; that they were in jail was no disgrace to them, for the game had never been fair, the dice were loaded. They were swindlers and thieves of pennies and dimes, and they had been trapped and put out of the way by the swindlers and thieves of millions of dollars.
The [Vietnam] war's gone on for three years. And we'd thought we'd ended it because we'd done exactly what we were told and what we told ourselves we'd had to do. We had a majority. We were against the war and this created a crisis for democracy and a crisis for the antiwar movement.
We were great mates [with Rajiv Gandhi]: very, very, very close friends. In fact, on my visit to India as Prime Minister, we were going to his home for dinner. There were two aspects I remember: one is him saying how he had trouble with his security people, because they insisted he wears a vest. He said it was very uncomfortable and he often took it off, but of course, in the end, it wouldn't have mattered if he'd been wearing three vests - he would have been gone.
I'm very blessed, mainly because even though my family is mostly in show business, it's really centered around music. My parents were very successful in many ways, but they weren't necessarily top of the charts. We were never wealthy because of music. We always had to work and we always had to struggle a little bit, and I think at the end of the day that's been very good for me, because I have a sense of it being very ephemeral.
For me, Stalinism was even a greater philosophical problem than Nazism. Under Nazism, if you were a Jew, you were simply killed, no questions asked, you had nothing to prove. Under Stalinism, of course, most [victims] were on trial for false accusations; most of them were not traitors. There is one interesting feature: that they were tortured or through some kind of blackmail forced to confess to being traitors.
It seemed that most women, because they had been caught, gave up on the movement and were just trying to pass the time until they could be released. Men in prison struggled to maintain their pride, including their manhood, because that is all they had left after everything had been taken away.
I was a housewife, so I learned to write in times off, and I don't think I ever gave it up, though there were times when I was very discouraged because I began to see that the stories I was writing were not very good, that I had a lot to learn, and that it was a much, much harder job than I had expected.
Signing to a major, there weren't many bands from our sphere that were doing it. I mean, obviously R.E.M. had done it, and Husker Du and the Replacements had done it, and maybe Soul Asylum, but that was probably about it. Those four bands were pretty much the only ones from that milieu that had signed to a major.
We couldn't understand because we were too far... and could not remember because we were traveling in the night of first ages, those ages that had gone, leaving hardly a sign... and no memories.
When I did 'Fast Times,' I felt very close emotionally to the characters. I liked those characters because they all had to work, so they were dealing with adult problems even though they were very immature, and I could relate to that.
My mother and my father had very, very strong Scots accents. We were Australian, and in those days when I was young, I spoke with a much more of an Australian accent than I have now. However I knew that if I went to England to become an actor, which I was determined to, I knew that I had to get rid of the Australian accent. We were colonials, we were Down Under somewhere, we were those little people Over There. But I was determined to become an Englishman. So I did.
There were so many women who had worked throughout the war in every possible job. They were told, "Now leave, so the men can come in" and there was this whole feminizing of women: You have to be very, very retiring and submissive and whatever.
... we shoved out many hopes and fears into their hands, believing those hands were strong because they had firm handshakes. They failed us, always. There was no way they could not fail us - they were human, and so were we.
We were taught fortitude by our parents, who had gone through the war. Being a child then was fun. We could go out and play in the street - there were few cars - and we felt very safe.
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