A Quote by Dietrich Bonhoeffer

I believe that nothing that happens to me is meaningless and that it is good for us all that it should be so, even if it runs counter to our own wishes. As I see it, I'm here for some purpose, and I only hope I may fulfill it.
There are so many stupid things that steal that purpose from us. The stupid things that you believe a lie that we ‘re not as important as we really are. That our life isn’t as important as it really is. It’s important to the people that you love, it’s important to the people that you will love in the future, it’s important to the world around you and it’s so important that you fulfill the purpose that only you can fulfill the way that you can fulfill that.
Keys to Finding Hope: 1. Hope depends upon taking care that we have at least two alternatives, in every situation we find ourselves, and with every task confronting us. 2. In any situation, no matter how much we may feel we are at the mercy of vast forces out there, that are totally beyond our control, we can always find something that is within our control, however small, and work on that. 3. Nothing that happens to us is just senseless and meaningless. In the context of our total life, it will eventually turn out to have meaning.
A writer - and, I believe, generally all persons - must think that whatever happens to him or her is a resource. All things have been given to us for a purpose, and an artist must feel this more intensely. All that happens to us, including our humiliations, our misfortunes, our embarrassments, all is given to us as raw material, as clay, so that we may shape our art.
If the universe were just electrons and selfish genes, meaningless tragedies ... are exactly what we should expect, along with equally meaningless good fortune. Such a universe would be neither evil nor good in intention ... The universe we observe has precisely the properties we should expect if there is, at bottom, no design, no purpose, no evil and no good, nothing but blind pitiless indifference.
A wonderful realization will be the day you realize that you are unique in all the world. There is nothing that is an accident. You are a special combination for a purpose -- and don't let them tell you otherwise, even if they tell you that purpose is an illusion. (Live an illusion if you have to). You are that combination so that you can do what is essential for you to do. Don't ever believe that you have nothing to contribute. The world is an incredibly unfulfilled tapestry. And only you can fulfill that tiny space that is yours.
practically nothing we do ever stands by itself. If it is good, it will serve some good purpose in the future. If it is evil, it may haunt us and handicap our efforts in unimagined ways.
The vanity of others runs counter to our taste only when it runs counter to our vanity.
No good to paint in the head - what happens is what happens when you put the paint down - you can only hope that you are alert - ready - to see. What joy it is for paint to become a thing - a being. Believe in this miracle - it is your only hope. To will this transformation is not possible. Only a slow maturation can prepare the hand and eye to become quicker than ever. Ideas about art don't matter. They collapse anyway in front of the painting.
In really good acting we should be able to believe that what we hear and see is of our own imagining; it should seem to be to us as a charming dream.
We believe we can change things according to our wishes because that's the only happy solution we can see. We don't think of what usually happens and what is also a happy solution; things don't change, but by and by our wishes change.
When we die our money, fame, and honors will be meaningless. We own nothing in this world. Everything we think we own is in reality only being loaned to us until we die. And on our deathbed at the moment of death, no one but God can save our souls.
When we resent someone in some way we need to "be on the alert" that even innocent gestures on their part can become suspect to us. Even something as simple as their walking into a room or whispering something to someone else can be conjured up in our minds, to look to us as if they're doing it on purpose to irritate us -as if they're involved in some diabolical plot to hurt us further. What they may be doing may have no connection to their past actions that hurt us in the first place but our resentful feelings against them can often taint our perception of what's really taking place.
What should our second generation have done, what should it do with the knowledge of the horrors of the extermination of the Jews? We should not believe we can comprehend the incomprehensible, we may not compare the incomparable, we may not inquire because to inquire is to make the horrors an object of discussion, even if the horrors themselves are not questioned, instead of accepting them as something in the face of which we can only fall silent in revulsion, shame and guilt. Should we only fall silent in revulsion, shame and guilt? To what purpose?
And you love Sophie." Gideon's mouth tensed. "She's a mundane and a servant," said Gabriel. "I don't know what you expect to come of it, Gideon." "Nothing," Gideon said roughly. "I expect nothing. But the fact that you believe I should shows that our family brought us up to believe that we should do right only if some reward was the result.
We must by every means humble our hearts and subdue our proud intellect, lest we should be like the contemporaries of the prophets, who looked on them only as sweet-voiced singers, and nothing more; they did not wish to fulfill their commands, they even despised, persecuted, beat and killed them; lest we should be like those, by whom 'no prophet is accepted in his own country' (Lk. 4:24).
Except perhaps to our God, we all have a facade, even to our closest friends; some of us even to ourselves. . . . . It may not be good that we have it, but I don't believe the state or anyone else has a right to pierce that facade without the individual's consent.
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