A Quote by Dietrich Fischer-Dieskau
You can't do opera when already from the 10th row you can only see little dolls on the stage. In such an enormous space you can't put much faith in the personal presence of the individual singer, which is reflected in facial expressions, among other things.
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There's only a very small representation of girls among you. Too little. Women have much to tell us in today’s society. Sometimes we are too machistas and we don't allow enough space to women. But women can see things from a different angle to us, with a different eye. Women are able to pose questions we men are unable to understand. Look out for this fact: she is the only one who has put a question for which there is no answer. She couldn't put it into words but expressed it with tears.
I think it was just an opera. Now, you go to opera, you expect to see and hear what the opera is. So, it was Catfish Row. It was singers. Marvelous voices. It didn't make no difference what color they were
I think it was just an opera. Now, you go to opera, you expect to see and hear what the opera is. So, it was Catfish Row. It was singers. Marvelous voices. It didn't make no difference what color they were.
I was going to be a singer. If I hadn't been in my profession, I was going to be an Opera singer. That's from a young kid. I had all these records from all those famous Opera singers. I wanted to be an Opera singer - that was my whole thing and physical fitness got in the way, thank God.
For the sacrificed, in the hour of sacrifice, only one thing counts: faith-alone among enemies and skeptics. Faith, in spite of the humiliation which is both the necessary precondition and the consequence of faith, faith without any hope of compensation other than he can find in a faith which reality seems so thoroughly to refute.
I know how to play comedy when it's needed. So even when it's really not there, my facial expressions are really great. I have a lot of facial expressions in my face, you know.
The chief difficulty is that God demands of us that we live by faith: faith in God, God's sovereignty over the future, God's sufficiency for the present; while, on the other hand, the various other gods whom we can serve appeal to us in terms of the things which we can see and the forces which we can calculate. The choice between the life of faith and the life of sight is a choice between a God whom only faith can apprehend and gods whom one has only to see to understand.
I just adored Peter Medak, the director. He's such a character, but he was so much fun. Some directors come in and they truly get angry about things.Peter was still in a fantastic mood. He's a delightful person. He threw a big party at the end of the pilot, which was so sweet. And his wife is an opera singer. He's just a very warm, crazy beautiful individual.
Making the visuals photo-realistic lets us do things we were never able to do before. The voice acting, the facial expressions, are all that much deeper.
I feel there's an existential angst among young people. I didn't have that. They see enormous mountains, where I only saw one little hill to climb.
I feel there’s an existential angst among young people. I didn’t have that. They see enormous mountains, where I only saw one little hill to climb.
I see all of my facial expressions and I think 'Wow!'
I have never called myself an opera singer. Other people do, but I always call myself a classical singer. I'd love to do opera, but I'm still too young and I don't want to do it until I'm ready. I realise that when I do that it's going to be... up for discussion, shall we say, so I want to get it right.
Bullfight critics row on row Fill the enormous Plaza de toros But only one is there who knows And he is the one who fights the bull.
I think it's impossible to predict the future but it is possible to look at the past and see how one can do differently from what one's ancestors have done and learn from their mistakes, and one can see how even though there are enormous forces which stop one doing what one wants to, there are little holes in which the individual can do something.
The one thing you know when you're shooting a script - and I've been on a lot of sets - is space is in a script, and the distance between the page and the stage is so enormous that it is unbelievable how even the brightest people can misread your intent or not see it altogether. Scripts have air in them. Scripts are supposed to leave things up to interpretation, but people can misread things enormously, so sometimes it's just a matter of wanting to put on the screen what you had in mind.
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