A Quote by Dietrich Fischer-Dieskau
Particularly at around the age of 70 you reach a stage where you have to be very careful. If, at that point, you abandon the work you have been doing, there is a good chance that you will just collapse and drift.
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When you shoot for a film, mistakes become very easy to manage. If you fumble, a retake can mend it all. You always have another chance , whereas when you work on the stage, you have to be extremely careful. There is no second chance as such.
What has happened to Africa is very severe. We are talking about the collapse of this and the collapse of that, of good government, of the economy particularly. And this has hit education badly. The news you get from the universities in Nigeria is often appalling. I don't think a lot of it gets out. There is the obsession with cults and all kinds of dreadful things going on and all this is taking its toll and it is not surprising that quality of students and graduates who come out is not good. It will not be surprising if this shows in the quality of work they do.
I would not vote to raise the retirement age to 70 because there are just too many Americans that work hard all their lives and just simply physically couldn't work until they are 70.
Good scripts have always been, I think, hard to find. Good storytelling, good writing - it's just not easy. I have made it a point that - if I'm going to put the energy into doing this work - I will wait until I find something I'm really happy with.
Lives are saved when those potential killers are confronted by a police officer, a strong police presence and actual, honest-to-goodness, up-close 'What are you guys doing on this corner at 1 o'clock in the morning' policing. We need to be careful it doesn't drift away from us in the age of viral videos, or there will be profound consequences.
I want to work with great directors. I want to work on good material with good actors. I've probably done 20 movies at this point and a lot of independents. It's been an incredible ride and I love it and I'm just going to keep going and doing what I'm doing.
I've been very blessed, I think, or what do you call it... mmm... lucky to get at this stage what I have. It's not like I've come from acting school and done work at an academy or something. I feel I've been given a very huge chance and opportunity.
I don't know why people are so obsessed with age anyway. I mean, 90 is the new 70; 70 is the new 50 and 50 is the new 40; so the whole act-your-age thing? Only up to a point.
I don't know why people are so obsessed with age anyway. I mean, 90 is the new 70 70 is the new 50 and 50 is the new 40 so the whole act-your-age thing? Only up to a point.
Cycling is a part of my life; it always has been, and I will always continue to cycle. I won't be doing it on the world stage, doing it competitively, but I'll still be out on the weekend with the masses riding around Richmond Park in my Team Sky jersey or whatever. I just love it.
I think nobody would claim that random genetic drift is capable of producing adaptation, that is to say the illusion of design. Random genetic drift can't produce wings that are good at flying, or eyes that are good at seeing, or legs that are good at running. But random genetic drift probably is very important in driving evolution at the molecular genetic level.
I started by doing a little funny story, and then I started going to open mics. I realized I had a lot of work to do - you have to get over the stage fright and get your stage presence up. It took me some time, but I finally feel that I'm at a point where I feel comfortable on stage and giving my point of view.
My view is that at a certain age - and we can debate whether that age is 70-72 or 75 - members need to step off boards. As per the banking guidelines, that age for the director on a board today is 70.
One of the things I do tell young women, if they want to pursue a career in acting, is to get good stage training. It is essential to have a good basis in stage technique. You can move into film easily, and acquire more skill and more understanding, but you can't necessarily go the other way around. For women, longevity of career will very much be on stage.
We're [humans] running great risks of doing things that will not be good for us. The cost can be very high indeed if we reach the point where we can't adapt to our own increasingly rapid adaptations. We run the risk of early extinction. So this certainly isn't a triumphalist story, but it is trying to get at what, in the very long run, leads to the amazing creatures that we are.
You can read a character that feels amazing, but if the world around it and all the writing around it - even the way the stage descriptions are written - don't feel just right, then you know there's no point in doing the project. No character is ever bigger than the whole film.
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