A Quote by Dietrich Fischer-Dieskau

In Romanticism, the main determinant is the mood, the atmosphere. And in that regard, you could also describe Schubert as a Romantic. — © Dietrich Fischer-Dieskau
In Romanticism, the main determinant is the mood, the atmosphere. And in that regard, you could also describe Schubert as a Romantic.
Cant you understand that romanticism is no more an enemy of science than mysticism is? In fact, romanticism and science are good for each other. The scientist keeps the romantic honest and the romantic keeps the scientist human.
Modern" poetry is, essentially, an extension of romanticism; it is what romantic poetry wishes or finds it necessary to become. It is the end product of romanticism, all past and no future; it is impossible to go further by any extrapolation of the process by which we have arrived, and certainly it is impossible to remain where we are who could endure a century of transition ?
To describe this world is not to describe reality 'in itself', as it is independently of how we regard and describe it.
The modern clercs have created in so-called cultivated society a positive romanticism of harshness. The have also created a romanticism of contempt.
Ressentiment is always to some degree a determinant of the romantic type of mind. At least this is so when the romantic nostalgia for some past era (Hellas, the Middle Ages, etc.) is not primarily based on the values of that period, but on the wish to escape from the present. Then all praise of the “past” has the implied purpose of downgrading present-day reality.
I had been struck by the analogy between neurosis and romanticism. Romanticism was truly a parallel to neurosis. It demanded of reality an illusory world, love, an absolute which it could never obtain, and thus destroyed itself by the dream.
If you really do want to increase women's status, you could focus on just that, but you'd probably better focus also on women's education. Access to artificial contraception, I would say, is also a very important determinant of women's status.
When I go on the set, I'm so rushed. When I see the actors at rehearsal, when I love it, I want to keep the mood - my mood and the actors' mood also. So I have to push the crew faster. I don't want to lose the mood.
The goal was to create a mood, an atmosphere, and I think we have achieved that. We wanted people to not only get in touch with this character but also with themselves [in Wyatt Earp and the Holy Grail].
Salieri was a pupil of Gluck. He was born in Italy in 1750 and died in Vienna in 1825. He left Italy when he was 16 and spent most of his life in Vienna. He's the key composer between classic music and romantic music. Beethoven was the beginning of romantic music, and he was the teacher of Beethoven and Schubert.
If you ask me to describe my relationship, I mean - words are too clumsy to accurately describe how I feel in that regard, particularly in an interview. It's a strange thing.
If you ask me to describe my relationship, I mean - words are too clumsy to accurately describe how I feel in that regard, particularly in an interview. It’s a strange thing.
And even Moonstruck - for some reason the audience were just in the mood for a very romantic film, because it's one of the few romantic comedies to be nominated for a Best Picture Oscar.
I hate love stories, personally. I'm not a fan of them. I absolutely loathe romantic comedies, with a passion, and I really worry when people use the word 'romantic' when they describe the film.
Music makes or breaks an atmosphere. It helps to create the mood and also is a very important aural cue; simply shut off the music when you want people to leave.
Time, memory, loss and love are my main artistic concerns, but time, among all of them, becomes the determinant.
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