A Quote by Diljit Dosanjh

I think that no number of rehearsals can guarantee the outcome of a live show. — © Diljit Dosanjh
I think that no number of rehearsals can guarantee the outcome of a live show.
There are some commercial artists that have number one after number one, and you go to their show, and the show's one-note. Yeah, they're all hit songs. But there's no emotion, because they're the same kind of hit songs, because they're what works at radio. That kills live shows for me.
On moral grounds, I think that if you believe a certain outcome is a very possible outcome, you have an obligation to tell people that. With global warming, the probability of a bad outcome if we stay on our current emission trends is incredibly high. If you know a bad outcome is likely to happen, what right do you have not to communicate that? You go into a doctor's office, what are they going to do - not tell you the diagnosis?
I think we are making an assumption that that is the outcome of the negotiations. I think President Assad will be prepared to accept whatever the outcome of the intra-Syrian dialogue and the decision of the Syrian people is. But people are trying to decide and determine the outcome of the negotiation before even we agree to start the negotiations.
I had no idea how difficult Sondheim's music would be. All through the rehearsals, I kept flubbing. There were so many tempo changes. I could never get through the opening number without any mistakes. One day, I went up to Hal Prince and offered to leave the show. He laughed it off. He said, 'Don't be silly. That's why we have tryouts.'
I can pretty much guarantee that if I do a show in a comedy club, there will be someone who will come out of the audience and tell me the worst joke ever. It's just a guarantee.
Sometimes films have no rehearsals - you don't have real rehearsals on the set because the day is so dominated by the schedule.
The reality in Washington D.C. is if you live in Tenleytown versus if you live in Anacostia, you get two wildly different educational experiences. It’s the biggest social injustice imaginable. What we are allowing to happen in this day and age, we are still allowing the color of a child’s skin and the Zip code they live in to dictate their educational outcome, and therefore their life outcome. We are robbing them every single day of their futures. And everybody in this country should be infuriated by that.
We have all met people that act 'old' or think a number makes them old, and I truly don't believe that is the case. If you have a good attitude toward aging, and you do what you can to live healthy and take care of yourself, I don't think the number matters.
There are a number of times when we have found, there's a number of old-school special effects in here that are fantastic, but there are definitely some times that we went digital and you're not going to tell the difference, I don't think. I think it just serves the storytelling because that's just the era that we live in.
Show me the incentive and I will show you the outcome
I think people realize that I'm one of the best welterweights, whether I'm number one or number four or number five or number six.
And so, irritants, it is with this that I leave you. You are spared so that you can think of what it really is to live in a world that engenders a pain for which there is no comfort. Here is your product! You have the rest of your lives to think of this. And I suggest you think quickly, for a long life is never a guarantee.
I've found in the past that if we planned the show a night before, once we slept and woke up, we weren't in that mood anymore. Because I really think doing a live show means you should be exploring your live feelings, and planning is not good.
People don't buy music anymore; they're stealing it. But you can't steal a live show. There's no way to reproduce a real live show. So I think that when you put a great bill together, that people will come out for it.
They did ask me to do 'Dancing With The Stars;' I said I can do one show, but on that show you have to come up with a new number every week, and I told them that I think I'm a little past that stage.
Going to rehearsals was too depressing, and missing rehearsals was also depressing, so it was like a vicious circle.
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