A Quote by Diljit Dosanjh

I feel happy when people hire me only as an actor. — © Diljit Dosanjh
I feel happy when people hire me only as an actor.
I get offered a lot of parts where I want to say, 'Why don't you just hire a model? Don't hire an actor.' I'm trying to convince people I'm a real actor, not some mannequin.
I feel that when people hire me they know it's going to be a collaboration and that they hire me for what I give on all sorts of levels, from my movement to the emotion I bring to the project, the passion, all of it.
Ralph Fiennes was a pivotal influence on me. He asked me, 'So what is it you want to do?' I very shyly, timidly admitted that I wanted to be an actor. He sighed, and he said, 'Lupita, only be an actor if you feel there is nothing else in the world you want to do - only do it if you feel you cannot live without acting.'
Very occasionally I hire an actor and get it wrong. The actor just doesn't trust the process or me as fully as I thought they would. In this case, you can be quite sure that if an actor is untrusting, it's got nothing to do with me or the process.
Tell me who you want to see on the Left, and I'll hire them. If you give me a big name that's out there, that's floating around and wants work, I'd be happy to hire them.
I never thought about being the first black actor to win, even though everybody else talked about that. If I stop to think as a black actor, people will see me differently. If I play as a black actor, people will only see that. I think my key was to perform as an actor, not as a black actor. And after winning the Cesar, I was an actor with a Cesar. there are many more adjectives to describe who I am. I'm not only black.
I'm an actor, but it sort of has to feel serious on a different level. I have to be happy with the choices I make now; it can't just be in hopes of creating a better future for myself. It has to bring me fulfillment. I have to find a way to be happy today.
As part of the process by which you hire me, you hire me. You just don't hire an hour of me to do a performance.
I'm like this mercenary actor going from show to show - people love to hire me, but then don't want me around much.
When you are a young actor, you're imbued with the high purpose of your art. You think, 'They hire me for my talent; if that's not good enough, then they can hire somebody else.' Later, you realize that your body is as much a part of what you do as your talent.
It's illegal to hire or fire anybody because of their race, appearance, or sexual orientation, but in Hollywood, ironically, it's the reason people will hire or not hire you.
I think great bosses hire great people. 'A' people hire 'A' people, but 'B' people hire 'C' people; they're worried they might be shown up... they're concerned that that person might make them look bad.
Good people hire people better than themselves. So A players hire A+ players. But others hire below their skills to make themselves look good. So B players hire C players. C players hire D players, etc.
I'm very lucky that I'm not a photographer for hire - people hire me for me. I go into every commercial work with an art focus, with that lens; every brand I've worked for just lets me do whatever I want to do. I have full creative freedom.
Drama made me happy. Being on stage made me feel alive. But I did what a lot of people do, and that's follow this path of leaving school and going to university. It was only at university that I realised the only thing that would make me a satisfied man was to do what I loved.
There are the jobs you get that do something for your confidence, like "I can do this with my life" kind of thing. And then, there are the jobs that maybe bring a certain level of awareness about you as an actor where other people feel like they can hire you.
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