A Quote by Diljit Dosanjh

If I can't put my heart and soul into a film, I don't take it up. — © Diljit Dosanjh
If I can't put my heart and soul into a film, I don't take it up.
I put my heart and soul into anything I take up.
Take the risk. Take the chance. Put your heart and soul into it, because when you put your soul into it, you will become what you've always dreamed. You yourself will become a legend.
When you do a film like 'My Soul to Take,' and people think it sucks, that hurts. We put a lot of work into it, and it's a good film, but you go on.
For me, when I choose a script, I put my heart and soul into it, and that is exactly what I look for in a film. A good film is a good film. And if it's a bad film, irrespective of whether it's made 300 crores or 200 crores or any amount of money, it doesn't matter to me.
As the soul of the film it has to work for you otherwise you don't take it up at all. It takes two years of your life, you better be interested in it. When you know it's something you can do well, that's when you take it up.
But it wasn't just a technical approach towards the piano, studying the music for this film was also a way of approaching the soul of the film, because the film is really about the soul of Schubert and the soul of Bach.
That prayer has great power which a person makes with all his might. It makes a sour heart sweet, a sad heart merry, a poor heart rich, a foolish heart wise, a timid heart brave, a sick heart well, a blind heart full of sight, a cold heart ardent. It draws down the great God into the little heart; it drives the hungry soul up into the fullness of God; it brings together two lovers, God and the soul, in a wondrous place where they speak much of love.
Take Christ out of the gospel, and you take its very heart out. He has not only originated a system, but He has put Himself into it, as its very life and soul and power.
I think 'Chhichhore' is the film that's closest to my heart - it's a very entertaining film with a lot of soul in it.
If you put everything, your heart and soul into a campaign, it might take you a while to come around to the realization that, you know, another person has won.
I do not take up a responsibility unless I am sure of putting my heart and soul into it.
But the soul has no culture. The soul has no nations. The soul has no colour or accent or way of life. The soul is forever. The soul is one. And when the heart has its moment of truth and sorrow, the soul can't be stilled.
Music will always be the heart and soul of a film, whether the film is star-driven or content-driven.
We can put a stake through the heart of Islamic State as an army. We can put a stake through the heart of its leaders. You can take away its territory. But you can't put a stake through the heart of the ideas, of the ideology, that sadly, tragically, still has some attraction for some small numbers in the Islamic faith.
If you do not bother to take the time to compose and to light properly, then you end up with something almost less than reality. You end up without the soul, the heart, the art of the moment.
As Ralph's character begins to discover the political thriller aspect of the film, he falls deeper in love with his wife, so the two run together. That's the beauty of this film. It has fast pace and excitement, but it also has heart and soul.
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