A Quote by Diljit Dosanjh
I do one film at a time. I can't wake up early. I can't do too many films.
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My filmmaking style of remixing came out of necessity. When I was a film theory student at UC Berkeley in the early 1990s, there were no film production facilities. The only way I learned to tell stories on film was by re-cutting and splicing together celluloid of old movies, early animated films, home films, sound slug - anything I could get my hands on.
The kinds of films I like are the ones that take their time. If you reach an emotional pinnacle too early on in a film, that's kind of it. I think, as in real life, when you're getting to know someone, it starts off slowly.
Spending time by myself is VERY important to me and I wake up pretty early, I wake up around 5 in the morning, and I get to have a couple hours to myself, and that is definitely I think really important to me and I think it's important for moms to have that too. And I love to carve out time for myself and sometimes I'll hang out with girlfriends, but i like to keep things pretty intimate.
I get a headache when films are too filled up with people. And I don't understand what's going on if there are too many extras walking around. This film was very comfortable for me, I want to see just the actors. This is how I can concentrate.
When I go skiing in New England, I usually wake up early and drive up to Vermont, New Hampshire, or Maine to make it in time for chairlift opening. That means leaving early and getting breakfast at one of the little quaint diners up in the mountains.
But I think the thing I'm proud of about the film is that there aren't many films - either independent films or mainstream Hollywood films - that are like this; it's of its own times, and it's the film Mike Nichols wanted to make.
When I'm on the road, I wake up early and walk a lot. I'm very healthy. But when I come back home, I am more tempted by guilty pleasures, such as eating too many sweets and sleeping a lot.
You have to remember that you only want to use your dunks at the right time. If you do it at the right time, you can wake up everybody and change the whole momentum of the game. It can get the crowd up, get your teammates up. It can wake up yourself, too, if you're not shooting well.
Politics is challenging for everyone's integrity... I have to wake up with myself every morning, and I have to be OK with the person I wake up with. If I string together too many days of waking up with a person I'm not happy to be, I have a lot bigger things at stake in my life than an election or a job.
Films are dreams. Many, many critics say to me that my films are not good because they are too unbelievable, but this is my style. I tell stories like they are dreams. This is my imagination. For me, it would be impossible to do a film that is so precise, that resembles real life.
Like many entrepreneurs, I never have two days that are alike. One thing that's consistent is I wake up early, around 4:30 A.M. It's my most productive time of day because I can think and work uninterrupted.
African films should be thought of as offering as many different points of view as the film of any other different continent. Nobody would say that French film is all European film, or Italian film is all European film. And in the same way that those places have different filmmakers that speak to different issues, all the countries in Africa have that too.
I think all writers of my age who are brought up on films probably by the age of 16 have seen many more films than they have read classics of literature. We can't help but be influenced by film. Film has got some great tricks that it's taught writers.
Of course subjects are changing, and since I started so early in filmmaking, I did my first film at age 19, of course you grow up with your films and you are not trotting the same path all the time.
We are living at a time where there are so many films available to watch through so many formats all the time. It's hard for any film to stand out in that din.
In my view the plangent artificiality of a lot of creative work results from the fact that the people who write novels, direct films and put on plays tend to read too many novels, watch too many films and go to too many plays.
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