A Quote by Diljit Dosanjh
There is no doubt that I feel bad when a film flops, but I can't sit back and not take up new work owing to that.
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I feel bad when my film flops.
If you have back-to-back flops and you're not a star's son, it depends on your destiny or contacts. People say 'No, I'm not going to take this director/actor, he's given four flops,' they forget the day when the same person was a hit.
I have seen this whole process of films releasing, becoming hits or flops, for too long now to expect things to do well. If I expect a film to do well, then it is for somebody else's sake, not for my own. I do my work, and if you feel that my work is improving from film to film, then I have done my part of the job.
As I grew up, I played in sandals. I played in flip-flops all the time back in the day. That's why I didn't really care about spraining my ankles. When I first started in the NBA, I loved low-cuts. I can play (in them), because I used to grow up playing in flip-flops all the time.
When my film flops, I believe it is my mistake. There have been times when I didn't come out of my house because my films didn't do well. I lock myself in for months. I don't talk to people. I feel bad for producer, director, for those who lost money. It's never about myself or my career alone.
So if radio flops, and MTV flops and everything flops, it doesn't matter, as long as we're still playing and kids are coming to our shows.
I'm not going to sit here and tell anybody I haven't had difficulties in my life, haven't made any bad decisions. But to sit back and consider myself a bad person or not doing something positive, it's so untrue.
Well, it's a little harder in New York. It's not as forgiving to a film crew. You hold up a bunch of New Yorkers who can't cross the street, they're not going to take it well. Southern California? They'll wait. It's cool man. In New York, they're like, 'Are you kidding me? I gotta get to work.'
I feel that flip-flops are the downfall of many relationships. It's, like, first it's the flip-flops, and then it's the sweatpants...it's the gateway drug to no sex.
I just feel like it's so amazing every few years when I'm not making a film to act and basically go back to film school and just watch other filmmakers work and try to be a part of somebody else's vision. So I feel like you do use two very different parts of your brain, and it's great to be able to jump back and forth.
The business side of film has goofed up so many things, but even that's changing. It happened to the music industry and now it's happening to the film studios. It's crazy what's going on. But artists should have control of their work; especially if, as I always say, you never turn down a good idea and never take a bad idea.
Good cinema is good cinema. It makes you feel like you need to work. Just yesterday I saw a good film, but even if I'd seen a bad one, I'd feel, "Oh my god, what a bad job, I can do better."
My life is routine. I wake up early in the morning. I brush my teeth. I sit on the floor of the cell I do not go to breakfast. I stare at a gray cement wall. I keep my legs crossed my back straight my eyes forward. I take deep breaths in and out, in and out, and I try not to move. I sit for as long as I can I sit until everything hurts I sit until everything stops hurting I sit until I lose myself in the gray wall I sit until my mind becomes as blank as the gray wall. I sit and I stare and I breathe. I sit and I stare. I breathe.
When people say they take hits and flops in their stride, I personally feel that they are just lying. Of course, I'm upset when my movies flop. I take it very personally.
Hits and flops will come and go. But what stays with you is the experience you had while shooting a film. I am happy learning something new each time.
For time flows on, and if it did not, it would be a bad prospect for those who do not sit at golden tables. Methods become exhausted; stimuli no longer work. New problems appear and demand new methods. Reality changes; in order to represent it, modes of representation must also change. Nothing comes from nothing; the new comes from the old, but that is why it is new.
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