A Quote by Diljit Dosanjh
I believe every person has a story that comes out from the way they talk, their opinion, their mindset and their body language.
Related Quotes
I also believe that when something negative comes out about you in the media, that's only one person's opinion. These guys sometimes believe they've been ordained from on high to give the general opinion of the populace, and that just isn't the case.
I believe that we must use language. If it is used in a feminist perspective, with a feminist sensibility, language will find itself changed in a feminist manner. It will nonetheless be the language. You can't not use this universal instrument; you can't create an artificial language, in my opinion. But naturally, each writer must use it in his/her own way.
The Danger of a Single Story”, which has resonated with me immensely every time I read it. “Power is the ability not just to tell the story of another person, but to make it the definitive story of that person. The Palestinian poet Mourid Barghouti writes that if you want to dispossess a people, the simplest way to do it is to tell their story, and to start with, “secondly.
The earliest language was body language and, since this language is the language of questions, if we limit the questions, and if we only pay attention to or place values on spoken or written language, then we are ruling out a large area of human language.
I believe that God has put gifts and talents and ability on the inside of every one of us. When you develop that and you believe in yourself and you believe that you're a person of influence and a person of purpose, I believe you can rise up out of any situation.
For every job you require a kind of mindset. To be a teacher one should be knowledgeable. To be a software engineer you should know computer data system analysis, computer language etc. So, my mindset is not aligned with politics.
I believe that every innovative thought comes from a creative mindset....A creative mindset is what drives our world, and art is the base of that.
Every success story has a parent who says, 'over my dead body.' Every success story has an old person who walks up to you and says, when you're acting the fool, 'you know I worry about you sometimes.'
We believe we can also show that words do not have exactly the same psychic "weight" depending on whether they belong to the language of reverie or to the language of daylight life-to rested language or language under surveillance-to the language of natural poetry or to the language hammered out by authoritarian prosodies.
I'm a storyteller, and as a story-teller, you see that each country, and therefore the language that it speaks has its very own way and very unique way of telling a story. And there's a lot to be learned from each country, and each language, and how they tell a story.
Plot is what happens in your story. Every story needs structure, just as every body needs a skeleton. It is how you 'flesh out and clothe' your structure that makes each story unique.
I think the best writers use the language they use every day when they talk to friends. When we talk to each other, we tend to talk in short grabs rather than in long flowing sentences. I think that's not a bad way to write.
My parents were entirely unpredictable and what they said very unreliable, which meant I became very attuned to the range of other signals human beings give out - body language or what Freud graphically called the "betrayal that oozes out of him at every pore," betrayal, that is, of what they really mean. I have that to this day, and it makes conversation exhausting because I'm listening not just to the words of the person in front of me but also to their body. It's as if there are two radio stations on at the same time.
I always believe that every song tells a story, so the last thing I want to do is edit out like the meat of the story. I would pick songs based off a), whether I felt like I could do anything with them, and b) whether I felt like I could keep the story intact. And then you sit in with one of the piano players and one of the vocal coaches and kind of work out your arrangements that way.
Since one of my roles is that of a con man, I actually mingled with a few pickpockets in north Chennai to get a hang of their body language and mindset.
There is a language older by far and deeper than words. It is the language of bodies, of body on body, wind on snow, rain on trees, wave on stone. It is the language of dream, gesture, symbol, memory. We have forgotten this language. We do not even remember that it exists.
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