A Quote by Diljit Dosanjh

There was a time in my life when I'd only sing. In my initial years, I didn't ever speak on stage, forget acting. Eventually, my confidence as a performing artiste grew.
A dubbing artiste does a lot of repair work for an artiste who doesn't naturally speak the language they are acting in.
I started performing very young as a salsa dancer, and every time I was on that stage dancing, all I knew was that I wanted to speak. I wanted the music to stop, and I wanted to speak.
I started in community theater at 7 years old. I loved being on stage and performing. At the time, I didn't correlate that the stuff I was doing on stage was the same thing that I was watching in my favorite films.
I was always lonesome. The only time I felt accepted or wanted was when I was on stage performing. I guess the stage was my only friend: the only place where I could feel comfortable. It was the only place where I felt equal and safe.
Fact is that I played piano and performed, as a young kid, a Mozart piano concerto with the Chicago Symphony Orchestra . Don't forget I was only eleven-years-old and to be on the stage at that age had tremendous impact on me. Basically love for classical music and performing as a kid on the big stage probably led toward this decision, which meant that music is going to be my big love but also my profession.
When I started performing, I decided that if in five years I couldn't earn as much money acting as I could as a teacher, it would be unrealistic for me to continue on the stage.
Before I even knew what that half of my family did, I was interested in performing. I remember being seven years old and up on a stage and loving it. I've always adored it. Not just acting, but the whole process of writing and directing movies, everything that has to do with that part of life. Maybe it's in my blood.
I think as film actors we are comfortable on stage because we know what the audience expects. The only tricky part is to remember the lines and that body language is key, which is something we tend to forget after years of acting in front of a camera.
Characters on stage, like people in what we refer to as "real life," do not speak to reveal themselves. They do not speak to conceal themselves. They speak to get whatever it is that they want. It is the only reason they speak.
The fact is, you can't have Southern friends without eventually wanting to sing with them, and without eventually learning that the only way to sing with them is to make your peace with country music.
According to Buddhist practice, there are three stages or steps. The initial stage is to reduce attachment towards life. The second stage is the elimination of desire and attachment to this samsara. Then in the third stage, self-cherishing is eliminated
The bruise on the heart which at first feels incredibly tender to the slightest touch eventually turns all the shades of the rainbow and stops aching. We forget about it. We even forget we have hearts until the next time. And then we wonder how we ever could have forgotten. We think this one is better, because, in fact, we cannot fully remember the time before.
In the beginning, it was quite challenging because I had zero acting experience, and delivering dialogues was the most difficult thing for me to do. But after I began to act, I grew as an artiste.
I was new to acting on a stage in a narrative as opposed to acting on a stage as a stand-up. And like everything else it's just like comfort level. The first time I did stand-up I was at a place called the B3 in New York on Third and Avenue B and I not only didn't take the mic out of the stand, but I clutched the stand of the entire time.
I love being in the studio and singing on stage and performing. It's so much fun. I love every second of it - and I love the way you get to show who you are. I love the way fans are really passionate around the world, so I adore performing and hearing people sing along in different countries.
You have to be gifted to begin with, of course, but what follows is a process that takes a very long time. You train, you listen, you travel, you follow artistes... all of it goes into making you who you are as a performing artiste.
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