A Quote by Dimebag Darrell
Using string bends instead of just playing regular, unbent notes can definitely help give certain riffs a cooler, heavier edge.
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A good way to work on alternate picking is to choose three or four notes, and work on those. Too often, players who are trying to improve their right hand dexterity get hung up by playing too many notes with the left hand.I hear a lot of players running whole scales from the sixth string to the first , and playing them really sloppy.Keeping it very basic-and using only a few notes-and playing slowly with perfect rhythm is a task in itself.
I too once belived in the heavier gauge string as a superior tone source. However, thanks to the graciousness of B.B. King I learned that a lighter-gauge string offers superior playing comfort ... try it, you may like it.
The beauty of string theory is the metaphor kind of really comes very close to the reality. The strings of string theory are vibrating the particles, vibrating the forces of nature into existence, those vibrations are sort of like musical notes. So string theory, if it's correct, would be playing out the score of the universe.
When I practise scales I will play four notes on one string. If I'm playing a C major scale, starting on F, I'll play the F, G, A, and B on one string and the C will be on the A string, etc, etc. Because I found not only was it good for my hands but it was really good for interconnecting things.
A guitar is so tactile, and when you're playing bends - and bending notes is a big part of my style - there are so many notes within the note you're bending from and the note you're bending up to.
Lee Morgan used to stand behind me when I was playing a ballad and he'd be hollering, "Play the pretty notes, man, play the pretty notes." I thought I was playing the pretty notes, but you know, things like that help you to reach a little further.
My favorite artists are able to take things to the edge or just over the edge. Miles Davis and Duane Allman, for example. It's about not playing too many notes. Those guys had lots of phases to their careers, but they always played with economy and intelligence.
I think there's just certain lyrics and certain forms of hip-hop that definitely rang true, again, to a lot of people's truth, but you don't necessarily want to hear someone using that as a just kind of a in-the-moment, fun, careless expression.
In a perfect union the man and woman are like a strung bow. Who is to say whether the string bends the bow, or the bow tightens the string?
At the beginning of this album I discovered the computer and had great fun playing with the thing. And I realized that, not being a good keyboard player, I could write things in very small sections, give them a certain feel and mess about with bends on the keyboard.
Sometimes it might seem like I'm using my songs to give other people pointers. But mainly, they're for me, just little notes to myself that I collected, and the wisdom that I've read. I give myself a lot of advice.
I really wasn't needed... Just straightening up riffs, that's all. Just two guitarists doing it instead of one.
Even back then I really didn't enjoy playing chord changes, riffs, and solos when I was young. The only thing I enjoyed playing were these Robert Fripp-type double-picked loops that no one wanted to hear, including me; I just liked playing them.
I really focus on natural products, so I love using unrefined products instead of refined ones. I swap white rice for brown rice or quinoa. I use brown rice pasta instead of regular pasta, nut milk or oat milk instead of dairy milk, and coconut yogurt instead of cows' yoghurt, etc.
If research can help us discover cures for diseases, it surely can improve a football team. Whether it's data analysis or biomechanics, it can give you an edge - and I'd be a fool if I didn't want that edge.
You can't be happy, taking away something I've worked on all my life to do and help my teammates and help my defense, ... It's just part of me, playing the puck. So, definitely, you can't be happy.
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