A Quote by Dimebag Darrell
I'm not a super blues player, but I was exposed to the Texas blues sound while I was growing up, and that definitely rubbed off on me.
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The blues scale was the first thing I learned. It's just a pentatonic scale with a flat seventh and a few notes that sound cool when you bend them. And because people have amalgamated the blues into this rock-blues scale, if you're using it, you better sound like a real authentic blues player.
There are happy blues, sad blues, lonesome blues, red-hot blues, mad blues, and loving blues. Blues is a testimony to the fullness of life.
A lot of what I listened to growing up was blues, but also folk and indie music. So there's this marriage of songs that structurally are quite bluesy. Sound-wise, there's a lot of indie as well. But you can't really say I'm pop-blues, because that's insulting to blues. It just can't exist.
I would think, to me, growing up in the south, growing up with all the gospel music, singing in the church and having that rhythm and blues - the blues background was my big inspiration.
I have heartaches, I have blues. No matter what you got, the blues is there. 'Cause that's all I know - the blues. And I can sing the blues so deep until you can have this room full of money and I can give you the blues.
For a while I had a blues band in L.A., but I realized I was too optimistic to play the blues. I did not have the misery in my heart that the blues required.
I'm a bluesman moving through a blues-soaked America, a blues-soaked world, a planet where catastrophe and celebration... "Joy and Pain" - sit side by side. The blues started off in some field, in some plantation, in some mind, in some imagination, in some heart. The blues blew over to the next plantation, and then the next state. The blues went south to north, got electrified and even sanctified. The blues got mixed up with jazz and gospel and rock and roll.
There's no way in the world I can feel the same blues the way I used to. When I play in Chicago, I'm playing up-to-date, not the blues I was born with. People should hear the pure blues - the blues we used to have when we had no money.
Theres no way in the world I can feel the same blues the way I used to. When I play in Chicago, Im playing up-to-date, not the blues I was born with. People should hear the pure blues - the blues we used to have when we had no money.
I think the blues is fine for blues players, but free blues has never made much sense to me.
I don't remember any impression [from blues].The blues was just everywhere in the Mississippi Delta. It was mostly black sharecroppers living there, and there was a lot of blues around. Sometimes the guys would sing the blues in the fields, working.
From the spiritual came the blues, gospel, and rhythm-and-blues. I heard all of that music growing up, and that has influenced how I approached classical music. I'm sure of it.
I was essentially raised on blues music. My dad was a blues musician around Dublin when I was a baby, so the only music I would listen to growing up was John Lee Hooker and Muddy Waters. It's music that feels like home to me.
The blues brings you back into the fold. The blues isn't about the blues, it's about we have all had the blues and we are all in this together.
Well, I don't know how they define that. But they have this Texas blues thing blown kinda out of proportion. I am a Long John Hunter blues, before and after, that's what I am.
I learned jazz; that comes from blues. I learned rock; that comes from blues. I learned pop; that comes from blues. Even dance, that comes from blues, with the answer-and-response.
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