A Quote by Dimebag Darrell

Most bands don't make it past two albums and tours, if that. We pulled it off, and everybody's been happy and cool, but we got to the point where we knew it was time to take a break.
Guy Picciotto had a really sound point: Live albums basically have bands playing songs that are available on studio records, and what example can you think of where the live album is better? What are the great live albums? I have live albums of bands, but I wouldn't listen to them for the most part. So we thought, instead of spending energy trying to puzzle out how to create a live record, let's just write another studio record.
Yeah, don't you take a break?" "I don't have time for breaks." "That's the whole point of a break. When you've got no time, you need a break.
Like all bands, the first two albums are always the ones most written about, and the most covered. When a band gets to their third of fourth album, the story of the band has already been told.
When certain bootleg companies started off and they would take maybe ten per cent of whatever they got and help fuel new bands, which I'm cool with, I think that's a good idea. Most of the record companies are not doing that.
You feel like you're trying to show off your cool by mentioning the five bands that you know are great and the five books that will reflect well on you. I can't do it. I should take the time to but I don't want to take the time to do that.
'Habits & Contradictions' is the prequel to 'Setbacks.' I had all these titles already in my head before I even dropped 'em. Like 'Setbacks,' I knew that was gone be the first one; I knew 'Habits & Contradictions.' I knew 'Oxymoron.' I got two more albums that I already have the title to it, and I know how I'ma play the theme off of it.
The point guard thing was I had to figure out how to score when I'm hot, and how to distribute and make sure everybody is happy. Because I can be happy scoring the ball. But when everybody isn't touching the ball, and we're not making the defense move, it's kind of pointless. So, I've got to find a way to keep everybody in the loop.
Raoul' sold a respectable 700,000 copies without a hit single. It didn't take off. If you don't sell 8 million albums or 4 million albums again, everybody deems it a big failure.
Just growing up, my dad always told me the most important point of the game is the extra point. A lot of people take that play off. It's an opportunity to make something happen, and I'm going to make the most of it.
When I got married in my twenties, I had a happy marriage and happy kids but at some point in time I let it go off the rails; I let it go off the rails.
When I got married in my twenties, I had a happy marriage and happy kids but at some point in time I let it go off the rails I let it go off the rails.
I speak to everybody. I'm one of those kind of artists that I'm cool with everybody. If they [fans] want to meet me, it's cool. That's as far as it goes. But I'm the cool artist. I shake everybody's hand, try to sign all the autographs, take pictures when I can.
You got people that come in, one album, two albums, and they're gone. A lot of people couldn't take the break I took and come back into the game, and people be checking for them.
I'm pretty much happy with the things that have been handed to me already. Seven albums, eight arena tours ... I think there's nothing I really would look forward to besides winning a Grammy one day if that would happen.
I made two or three albums with money from my own pocket, but I couldn't get them released or played on the radio. I got tired of beating my brains out. I got very depressed. I took a break from the business. Then I got bored with that and had to come back.
I like to choose the people I take photographs of, but when you make your living off it, you've got to take everybody.
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