A Quote by Dimebag Darrell
Whenever I feel my chops are slacking, I'll play some wide-stretch trilling exercises and take them up and down the neck as well as across it.
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Even though I'll do finger warm-ups that go up and down the neck to build up my chops and dexterity, I never, ever sit around and practice the actual licks I'm gonna play live. If you do, then you'll be all worried about the complexity of getting the fingering right and everything else about it, as opposed to the feel.
A violin neck is much smaller than the guitar's, so it's much easier to play wide intervals on one violin string. On the guitar, you really have to stretch to play them.
I just take what comes to me. If the drive is there, Im going to take it. If its not there, Ill take a pull-up shot. Im a confident player down the stretch and I feel like I can make the play when I have to.
Whenever you play against Fred - we certainly did it - you let him get it because he has to take three or four touches. He doesn't know how to do one or two touches. Anyone that watches his game, he gets it facing the wrong way, turns, turns, chops, chops and he'll give you the ball three or four times a game.
Whenever we play new material, eventually some of the songs become classics themselves. They can't become that unless you play them. Any new song is not going to go down as well as some of the old stuff, because obviously the old stuff the fans know inside out.
It's not good to stretch when you're cold. Get your heart rate up, and once you finish, take time to stretch and let your body calm down.
Whenever I feel the need to take some exercise I lie down until the feeling goes away.
I love to read. I love to stretch. In the morning, I get up, and if I'm not in a hurry, I will lie on the floor on a rug, look through some books and magazines, and maybe listen to music and try to do stretching exercises to tune up.
I get up, and if I feel out of sorts, I'll do some exercises, I'll feed my cat, then I go get my coffee, take a notebook, and write for a couple of hours.
When I was young, I went to college, had a teacher who was, had been a student of Trilling's at Columbia, this was in California. And he, I started reading him around that time, and then I went to Columbia as well, Trilling was still teaching there, I took a course with him. He was not a great teacher, but he was, when I was younger, he was a good model for the kind of criticism I wanted to do, because he thought very dialectically.
Fang’s hand gently smoothed my hair off my neck. My breath froze in my chest, and every sense seemed hyperalert. His hand stroked my hair again, so softly, and then trailed across my neck and shoulder and down my back, making me shiver. I looked up. “What the heck are you doing?” “Helping you change your mind,” he whispered, and then he leaned over, tilted my chin up, and kissed me.
Well, I've got a color telly, and a fridge. I've got some pork chops in the fridge, but the chops keep going off, so I have to keep buying more.
Why don't I just give you a pair of my panties to hang around your neck? Then whenever you feel jealous, you can wave them at whoever's pissing you off.
I don't really read a lot. I got a few Booker Prize books and some others and thought I'd try this but quite quickly I just stick them down. I do like some Stephen King books but with some of them I just put them down as well. But I'm like that with telly stuff as well and films or music.
I don't know what in the hell's going on with cranberries, but they're getting in all the other juices. Whoever the salesman is for cranberries is doing a great job. He's showing up everywhere. Hey, what do you got, some apples? Put some cranberries in there. We'll call it cran-apple and go 50-50. What do you got grapes? How about cran-grape. What do you got mangos? Cran-mango. What do you got pork chops? Cran-chops. Why don't you back off, cran-man. Why don't you take your sales trophy and have a vacation.
I feel that my ideas of beauty have been given very strong backing by Botticelli and a few others: Slender hands, long neck, long limbs - look at Nefertiti. She was very teensy-weensy with a long neck and wide-spaced eyes.
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