A Quote by Dimitar Berbatov

As soon as I score, my mother texts me, so when I go in the dressing room, her text is there waiting for me to read! — © Dimitar Berbatov
As soon as I score, my mother texts me, so when I go in the dressing room, her text is there waiting for me to read!
I lay in my dressing room after being in make-up waiting to go on. They knew I was feeling pretty rotten and they tried to give me time to rest. But I couldn't sleep. I couldn't do anything.
I have a friend - I send her one text and I get 20 texts back. Guys don't want a million texts. It's exhausting.
I was not yet three years old when my mother determined to send one of my elder sisters to learn to read at a school for girls we call the Amigas. Affection, and mischief, caused me to follow her, and when I observed how she was being taught her lessons I was so inflamed with the desire to know how to read, that deceiving - for so I knew it to be - the mistress, I told her that my mother had meant for me to have lessons too. ... I learned so quickly that before my mother knew of it I could already read.
I want to go back to the child I used to be, and to read with the same naiveté [the Pentateuch]. I want to leave science aside and go back to the pure perception offered to me in the text that is waiting there for me year after year.
I was raised in a religion that I never felt embraced me. That wasn't her fault. I had this amazing childhood. My mother is of her generation. If I'm going to ask her to accept me exactly as I am, I have to give her the same. She has read part of the book, but my sisters told her which chapters not to read!
When my mother left me waiting for her, [she] established in me the habit of waiting and expectation which makes any present moment most significant for what it does not contain.
I used to go to Caerphilly with my brother Les, two years older than me, with my mother to see her sister, Gladys. When they wanted to talk we'd have to leave the room. She'd say to her husband Stan 'take them in the front room and play the piano.'
This job is like stealing. I travel first class in a nice plane. I have a driver waiting for me. I go in a room and have room service. I have a meeting. Then I go to the best game of the weekend and talk football - and they pay me.
The important thing for me as an educator is how to - how do we unsettle the minds and touch the souls of significant numbers of young people who don't read texts or don't read my texts.
I started to write as a child as soon as I could read, or even before, when my mother read me Beatrix Potter at bedtime. Writing seemed to me to be the only sensible way to live and be happy.
Now the dressing-room full of RSC hierarchy. Suddenly Trevor Nunn pushes his way through and 'Trevs' me. I've heard a lot about this 'Trevving', but never had it done to me. From what I'd heard, a 'Trev' is an arm round your shoulder and a sideways squeeze. But this 'Trev' is a full frontal hug, so complete and so intimate that the dressing-room instantly clears, as if by suction. I'm left alone in the arms of this famous man wondering whether it's polite to let go.
I would encounter W. E. B. Du Bois and the term double consciousness. When I read it, I thought about sitting in my mother's employer's family room, watching my mother clean while I waited for her to finish so we could go home.
My mother put me on birth control as soon as I told her I wanted to go on it. I was 16. I was very young.
I will go back to the great sweet mother, Mother and lover of men, the sea. I will go down to her, I and no other, Close with her, kiss her and mix her with me.
People don't like to read text on computer screens (and reading a lot of text on iPod screens gets very tiring very soon, just about as soon as running out of battery power).
My passion for fashion originated in my mother's closet. She was a woman who loved fashion. She enjoyed dressing up a lot, and she had a closet that was like her sacred room that belonged only to her. She wouldn't let us go in and play there very often.
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