A Quote by Dimitri Payet

My managers understood that when I sulk, they talk to me. It's a way for me to be heard. — © Dimitri Payet
My managers understood that when I sulk, they talk to me. It's a way for me to be heard.
Let me tell you what I just heard. Talk, talk, talk, I. Talk, talk, talk, I. Well, what about me?
When I was younger, music really saved me, and felt like a refuge for me when I was in quite a lost space. I just want to talk to people, and I guess in a way, feel understood myself.
A bean bag is a perfect place to sulk. You can sink way down deep, and sulk for hours... You only have to stick your head up once in a while... to see if anybody cares.
Maybe other managers would see their team score one goal and then prefer to go back and counter-attack, then try to score the second goal. A lot of those managers are the best managers at the moment, but for me, it's very important to continue the way I play.
But what a humiliation for me when someone standing next to me heard a flute in the distance and I heard nothing, or someone standing next to me heard a shepherd singing and again I heard nothing. Such incidents drove me almost to despair; a little more of that and I would have ended my life - it was only my art that held me back.
A lot of guys... they want to take the big shot, and they talk about it because they're scared of it. You never heard me talk about it. You heard a lot of guys talk about it. But you don't have to talk about it, because if you have the confidence in yourself, and your team believes in you, you don't fear anything. You don't fear losing.
The way you walk, that's me The way you talk, that's me The way you got your hair up, did you forget that's me? & the voice in the speaker right now, that's me, that's me & the voice in your ear, that's me
I find that I'm fighting to keep my energy and my passion centered on the work and not on "Will this get me an Oscar?" - which is the way people are starting to talk to me. I'm not interested in the way people are starting to talk to me. I'm not interested in looking at a role that way. That's not what I ever did, and it's not how I can continue to do my work.
One casting director told me, 'You're the next Leonardo DiCaprio,' and when I heard that, I said, 'Let's talk about how I don't want anything to do with being like Leo.' He's an amazing actor, but the films we're pushing to do are different. I'm going my own way--in a big way.
I remember a few years ago I was sitting at home with my wife watching the Oscars. I was sitting on the couch and suddenly heard my voice. It's thrilling. It's interesting that a lot of guys do me. I have a friend who does me on his answering machine so when I call him I talk to myself. I don't really know what that comes from. It doesn't seem to me that I speak in a strange way. My wife says Kevin's (Spacey) the best.
In all the time that people have known me, has anyone ever heard me talk about the importance of rushing records or finishing with the most touchdowns? So if that's never been important to me, then why would that be a motivation to keep playing?
I remember where I was when I heard Yngwie Malmsteen for the first time. It was such an epiphany for me, and it really shaped the way I play today. I think I heard him in '83, if I'm not mistaken - I was 13 years old - and it really was amazing for me.
Don't label me before we get a chance to talk about it. Talk to me first and see what kind of person I am. That's what I like to tell the media: Come talk to me, let's sit down and talk about what's really going on.
Look, I've heard a lot of people talk about me, they say I'm like Marmite. They like me, or they don't like me.
I think of my father and how confused he was by me. He understood my love for theater, and he understood that New York City was the only place that it was happening in America, really, in any live way.
"Someone": I understood that this was a character who in her own life her voice hadn't much been heard and in literature her life isn't much heard. For me, it was resisting all the more appealing characters and listening to the voice that hadn't been much heard from.
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