A Quote by Dimple Kapadia

I have realised that it has become essential to promote your film. God forbid, if a film doesn't run, I shouldn't be blamed for that. — © Dimple Kapadia
I have realised that it has become essential to promote your film. God forbid, if a film doesn't run, I shouldn't be blamed for that.
Promoting a film can get tiring but if you find a clever way to promote it, it can be fun. Also, it is not fair to yourself and the film if you don't promote it. You've worked hard for the film for the past six or eight months and then if you don't give it your all and create awareness among the people then it is not fair.
'Masoom' was like a picnic for all of us. We kids just wanted to have fun acting in the film. We never realised when the film was completed. When we did, we realised the party was over.
Obviously I will promote 'Vaalu.' It is my film. I am the lead actress in it; I play a major part, and I will promote the film.
I look for three things. Number One is does the film promote the beauty and dignity of the human person? Number Two is does this film promote the transcendent moral order? And three, does it promote natural affection?
I have no issues if audiences don't like a film or a performance, and the film doesn't do well. My problem is when they say that the film was good and performances were excellent, but the film didn't run. I have a problem when that happens.
I did the Kannada film when just out of school. I didn't know anything about the South Indian film industry at that time, and I did the film to earn some pocket money. I realised then I like acting.
Film festivals are a great vehicle for gaining an audience for your film, for exposure for the talent in the film and for the film makers to leverage opportunities for their films. I love the energy that film festivals bring.
Oh my God, I love UCLA so much. Their film school is great because it's unstructured, so there's a freedom to fail in there and just tell your story, and everybody makes a film. It's so important to have that freedom in film school because that's what you're there for: to learn and make a film.
I realised after doing 'Tanu Weds Manu' that I had become fat and was not performing to the mark. I realised that I had become a terrible actor. I did 'Jodi Breakers,' which did not do well. So, I moved away from the film industry and lived with the common man to know where I was lacking and what do they want from an actor.
To be honest, I hadn't realised the greatness of film music till I was exposed to film songs after I started living in Mumbai.
When you're making a film, you don't really have time to consider what the whole of your film is. And then, when you're releasing your film and promoting your film, you're looking at it in a different way. Then, as you move away from it, you start to look at it objectively and think, 'What could I have done better?'
If you're an artist, it's OK to put your money into your art. The advantage, in hindsight, is that you become the film, and the film becomes you; you breathe it.
Whenever the protagonist of the film becomes bigger than the hero of the film, the film is bound to become a hit.
I loved American filmmakers when I was growing up. I didn't get to film school or anything. I was a very bad student. I just devoured film, but there was a point in my teens when I started to run a little film society.
I waited for each film to become important for me. If I had no ideas for a film, I didn't do a film. So I made not that many films for fifty-four years of working.
I had directed a short film called 'Girvhi' earlier, on child labour. It was a fictional story. At that time, I realised I could direct a film if given a chance.
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