A Quote by Dinah Shore

I never wanted to set the world on fire. So I never had to burn any bridges behind me. — © Dinah Shore
I never wanted to set the world on fire. So I never had to burn any bridges behind me.
It makes no difference if I burn my bridges behind me - I never retreat.
You don't want to burn any bridges, but you also want to make sure you leave your character bridges wide open and you're never seen as one particular thing, or that's who you'll be, unfortunately, for the rest of your career.
I came to set fire to the earth. And I am watchful that the fire grow. May the fire of love grow in our hearts. May the fire of transformation glow in our movements. May the fire of purification burn away our sins. May the fire of justice guide our steps. May the fire of wisdom illuminate our paths. May the fire that spreads over the Earth never be extinguished.
I never wanted to change the world. Norman Mailer wanted to, he set himself the task of changing the consciousness of our age. And I think he came pretty close, in the 1960s, to actually managing to do it. But me? No, no, I never wanted anything like that. I'm not Maileresque.
I was sure I'd set the world on fire, and it was hard for a young feller like me to realize the truth - that I hadn't set the world on fire, and I was totally unprepared to handle the consequences if 'The Big Trail' had been a success and launched me as a star.
You're the brightest thing I've ever seen, Kaylee. You're this beautiful ball of fire spitting sparks out at the world, burning fiercely, holding back the dark by sheer will. And I always knew that if I reached out -- if i tried to touch you -- I'd get burned. Because you're not mine. I'm not supposed to feel the fire. I'm not supposed to want it. But I do. I want you, Kaylee, like I've never wanted anything. Ever. I want the fire. I want the heat, and the light, and I want the burn.
I wanted to destroy everything beautiful I'd never have. Burn the Amazon rain forests. Pump chlorofluorocarbons straight up to gobble the ozone. Open the dump valves on supertankers and uncap offshore oil wells. I wanted to kill all the fish I couldn't afford to eat, and smother the French beaches I'd never see. I wanted the whole world to hit bottom.
I wondered if the fire had been out to get me. I wondered if all fire was related, like Dad said all humans were related, if the fire that had burned me that day while I cooked hot dogs was somehow connected o the fire I had flushed down the toilet and the fire burning at the hotel. I didn't have the answers to those questions, but what I did know was that I lived in a world that at any moment could erupt into fire. It was the sort of knowledge that kept you on your toes.
Never burn your bridges till you come to them.
I'm different from any other designer, businesswise, in that I've built this company up and I own it. I never had business hype behind me to promote my image... My image is real... I have never had marketing people telling me what to do.
Never burn bridges. Today's junior jerk, tomorrow's senior partner.
It's cool to see everybody come together and do their own thing, but there's never been any drama. I never saw any on the X-Men set, and I never saw any on the Horror Story set.
A farmer's horse is never lame, never unfit to go. Never throws out curbs, never breaks down before or behind. Like his master he is never showy. He does not paw and prance, and arch his neck, and bid the world admire his beauties...and when he is wanted, he can always do his work.
I only believe in fire. Life. Fire. Being myself on fire I set others on fire. Never death. Fire and life.
All my life I just wanted to be a beatnik. Meet all the heavies, get stoned, get laid, have a good time. That's all I ever wanted. Except I knew I had a good voice and I could always get a couple of beers off of it. All of a sudden someone threw me in this rock 'n' roll band. They threw these musicians at me, man, and the sound was coming from behind. The bass was charging me. And I decided then and there that that was it. I never wanted to do anything else. It was better than it had been with any man, you know. Maybe that's the trouble.
I never wanted to do Shakespeare; I never liked watching it, it's always frightened me, and I've never been any good at it. But I really wanted to work with the director Tim Carroll and Mark Rylance.
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