A Quote by Dinesh D'Souza
We certainly did take the country from the Indians. Right. So, but what's going on here, as I would call it a, sort of, morality tale. What the progressives do is, they take a few nuggets of American history, Columbus' arrival, then the founder's compromise with slavery, and what they do is they fast forward to their favorite episode, so to speak, and they create a story out of that leaving a whole bunch of facts out.
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The script of 'Shogun' was so tight that you could not take a word out of a sentence, you could not take a sentence out of a scene, and you certainly couldn't take out a scene without putting ripples right through the back or the front of the overall story.
They [American Indians] never did straight-up fights. It wasn't about, you know, getting killed in the line of fire. It was all ambush, ambush, ambush, and you ambush somebody, and then you take the scalps, and you - even though scalping wasn't created by the American Indians. It was created by the white man against Indians, and they just took it and claimed it.
"When you accept your life - when you take your breakfast, and when you sleep and when you walk and when you take your bath - how can you create an ego out of these things? Sleeping when feeling sleepy, eating when feeling hungry, how can you create your ego? No, if you fast, you can create ego. If you are on a vigilance for the whole night, and you say, "I am not going to sleep," you can create the ego. By the morning, the person who has slept well will have no ego, you will have a great ego."
As liberals are puppets in Donald Trump's show right now, all he needs to do is create any distraction and all of a sudden, the whole country is completely distracted, including the American left. We need to be laser focused on figuring out what are our values, what do we really want to be defending on the left, and how are we going to do that, coming up with the plan and moving forward.
Constraint theory argues a number of things. First, that the impossible has to be identified. Second, that the actor is then constrained by circumstances to act a certain way. For example, should we invade ISIS? Can we invade ISIS? What would it take to invade ISIS? Once you ask that question you discover the price of that option and then you take a look at American politics and see that the country is probably not prepared to invest the 2 to 3 million people that it would take to defeat ISIS and the insurgency afterwards. All right, so that's not going to happen.
The perpetuation of slavery, the exile and extermination of American Indians, and the passage of Jim Crow laws weren't carried out at the bidding of a few malefactors of great wealth.
When you are out of favor, so to speak, it's not just the reviewers. It's the editors, the publishers, they don't want you anymore, you're just gone and you've been written out of history as effectively as the old Stalinists would write someone else out, take their photograph out of a book.
Before I start, I search the internet for hours looking for inspiration - I look at horror movies, special effects, everything. Then, I take a bunch of screenshots, and pile them together in Photoshop to create a story for myself. I plan it out in my head, but I don't ever practice beforehand.
Ideally we're going to stay at an American hotel. We just want to take every precaution. Because if you get sick out there, and you're playing in that hot sun and you get depleted, it's going to be a problem. So that would be the only other thing I think that athletes on a whole are going to be worried about. But again, we have to do our part and take every precaution and be smart.
Frankly, Django is an American story that needs to be told, when you think of slavery existing in this country for 245 years. In slave narratives there were all types of tales and drama and heroism and pain and love that happened during that time. That's rich material for drama! Everyone complains that there are no new stories left to tell. Not true, there are a whole bunch of them, and they're all American with a capital A.
I go for my completely routine mammogram and then I get a call from my gynecologist. And she says, 'Well, I have some - it's not such great news, but here it is, but it's very small and we're just going to get in there and take it right out, right away, and then you'll probably have radiation.'
Don`t take it out on the Muslims. Don`t take it out on Latinos. Try to help us work together to create a country where your kids and you can have a decent standard of living. It has to be a bold and radical agenda.
I felt the sensation of each of the directions I mentally and emotionally turned into amazed at all the possible directions you can take with different motives that come in like it can make you a different person — I’ve often thought of this since childhood of suppose instead of going up Columbus as I usually did I’d turn into Filbert would something happen that at the time is insignificant enough but would be like enough to influence my whole life in the end? — What’s in store for me in the direction I don’t take?
Jobs are pouring out of America; you see what's going on with all of the companies leaving our country, going to Mexico and other places, low pay, low wages, mass instability overseas, no matter where you look. The middle east is a disaster. North Korea - we'll take care of it folks; we're going to take care of it all. I just want to let you know, I inherited a mess.
The thing that I think a director has to have in order to make a movie really work, and to certainly make a film that feels personal, is that you have to have a sense of the feeling that you want to create in people, the tone which you want to tell the story, and the basic themes you want to come out. You can't compromise on those because you are then not making the movie that you are going to be good at telling.
In terms of America, I think any profound consideration is bound to return us to the notion of twins because, though you certainly can contend there are many Americas, our history has been binary from the beginning, with its hairline fracture down the country's center between what American has wanted to be and what America has been. That fracture is slavery, of course. To some extent it's still slavery, in that collectively we refuse to come to grips with the American fact of slavery.
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