A Quote by Dino Stamatopoulos

The problem with improv is that you're letting an idiot tell you what to do. — © Dino Stamatopoulos
The problem with improv is that you're letting an idiot tell you what to do.
Oh, I'm sure we could talk them into letting us in for nothing," Marco said. "Just tell them we're Animorphs." "Tell them we're what?" Rachel asked. "Idiot teenagers with a death wish," Marco said. "Animorphs." I tried the word out. It sounded okay.
We can spend our lives letting the world tell us who we are. Sane or insane. Saints or sex addicts. Heroes or victims. Letting history tell us how good or bad we are. Letting our past decide our future. Or we can decide for ourselves. And maybe it's our job to invent something better.
I had a teacher who recommended I take improv classes in Chicago - I'm from Evanston, Illinois - so I did improv classes at Improv Olympic, and that kind of opened me up.
As far as I can tell, it's just about letting the universe know what you want and then working toward it while letting go of how it comes to pass.
Who's the bigger idiot, the idiot or the idiot who gets fooled by the idiot?
We live in a time where improv is king and people love improv, and I think there's a time and a place for that and people who are really good at structuring improv.
I think it's a lot richer than what we call fleshy improv, I think it's very funny, puppet improv and fleshy improv.
I was on the improv team in high school, and after I graduated, I joined an improv company that had been established 10 years prior to me getting there. They did longform improv, and I fell in love with it. It's acting, character creation, collaborative, artistic expression and comedy - and it's scary. It was a big rush.
I had been on this improv team at this really great improv theater. It's called iO now. It used to be called Improv Olympic. They have showcases for Lorne Michaels and other writers and people who work at 'SNL' usually about once a year, although I don't know if it always happens.
I know, I'm an idiot!" Leo moaned. "A brilliant idiot, but still an idiot.
We're so different. You're an intellectual. I'm an idiot." "Don't say that," I yelled. "You're not an idiot, you stupid idiot.
I think with improv - and I say it all the time because it's become such a catch thing that you talk about improv - if the scene is well-written, you don't need to improv. But that being said, if something strikes you in the moment and, most importantly, you know where the scene is supposed to go, it's no different than method acting.
But the classic Tenacious D songwriting is Jack or myself will have an idea - I might have a riff - and we'll improv. And once Jack's feeling it, we turn on the tape recorder and start jamming, improv on that riff, improv on those lyrics, and then go back and see if there's anything good in there.
Older boys often asked me to teach them “some bad words in your language”. At first I politely refused. My refusal merely increased their determination, so I solved the problem by teaching them phrases like 'man kharam' which means “I'm an idiot”. I told them that what I was teaching them was so nasty that they would have to promise never to repeat it to anyone. They would then spend all of recess running around yelling “I'm an idiot! I'm an idiot!”. I never told them the truth. I figured someday, somebody would
Bureaucracy has murdered people in the greater New Orleans area and bureaucracy needs to stand trial before Congress today. So I'm asking Congress, please investigate this now. Take whatever idiot they have at the top of whatever agency, give me a better idiot. Give me a caring idiot. Give me a sensitive idiot. Just don't give me the same idiot.
I take improv classes. Improv is something I can use in any aspect of life.
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