A Quote by Dion DiMucci
I think one of the greatest compliments I've ever received was when a young kid came backstage at Joe's Pub, when I had the "Bronx In Blue" album out. He said, "What Jimmy Reed did for you, you do for me."
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When the Greatest Hits came out and we did that tour, I just felt I wanted to take a break, totally. Probably because, as well, I was so young when I got famous. I did album, tour, album, tour, album, tour, then I had a public nervous breakdown where I just lost tons of weight.
I don't sing white; I don't sing black - I sing Bronx. When I sing 'Ruby Baby,' I'm rolling like Jimmy Reed. I wanted to communicate like Hank Williams and groove like Jimmy Reed.
Ever since I was a little kid and first heard Jimmy Reed's 'Honey, Don't Let Me Go,' the blues has been in my blood.
I have a lot of stories. I had done a thing called Nightmare in Red White and Blue, which was an anthology of horror films. I narrated it with a man named Joe Maddrey, who's a writer. He came to my house and said, "Lance would you consider doing this?," and I like Joe so much that I completely relaxed.
I remember [Joe] Lovano came around to me at that time [of Monk competition]. And I had taken some lessons with Joe and I had seen Joe on the scene. He had always been so great to me, such and inspiration and so kind. One lesson that I had with Joe was just amazing. I'm just such a fan and an admirer of his on every level. He was like, "Don't worry... you're just out here. You just do what you're doing. Don't worry if it doesn't make you a household name or anything."
When the first album came out and I heard 'Do It Again' on the radio, that was the greatest thing that had ever happened. After that, it was all downhill.
To me, one of the greatest albums I ever put out was the album I did with Statik Selektah.
Baz [Luhrmann] paid me one of the greatest compliments ever. I don't know him, really, but when I first met him I was congratulating him on ROMEO + JULIET - which I think is a wonderful adaptation - and he said, "Oh, well we couldn't have done it without your RICHARD III, which was an inspiration!" I've never quite checked up on the dates to see whether or if, in fact, we did our film before he did his.
Joe [Wright] reached out to me and sent me a treatment, and I said yes on the spot just from the treatment. Within six weeks, I was in Cape Town and there was a script [of Black Mirror episode 'Nosedive'], but I didn't realize until I received the full script that Rashida [Jones] and Michael [Schur] had worked on it. It's a particularly funny episode. Joe and I always looked at it as a satire; it has a lot of comedic elements to it.
When I played Darth Maul, it sort of came from inside. I'm not saying it was natural, but I really enjoyed it, and I think I was tapping into my childhood, growing up with 'Star Wars.' And I grew up with G.I. Joe as well. Same as 'Thundercats' and 'Transformers' and 'He-Man.' And so I think it was the inner kid in me just came out.
I knew I was destined to do a solo album, but when I did that first album in 1978, I had no idea it was going to be that well received.
I copied (Shoeless Joe) Jackson's style because I thought he was the greatest hitter I had ever seen, the greatest natural hitter I ever saw. He's the guy who made me a hitter.
I had immigrant grandparents who came to this country and came for religious freedom and loved it, never made any money, Bronx, Brooklyn, but loved America. And they told me every day it's the greatest country in the world.
Why not go down the pub? A guy once came up to me at a gig and asked me if I had MySpace. I said, 'This is my space, and you're invading it.'
Ever since John Kennedy, Democrats have had a weakness for dashing younger men like Bill Clinton and Barack Obama and, I suppose, Jimmy Carter. They balance their tickets with senior statesmen - Lyndon Johnson, Joe Biden, Walter Mondale. (Al Gore was young but played ancient).
I'm a huge Joe Nichols fan, and he put this song out an album called 'Real Things.' I was excited for Joe when I heard it, thinking 'that will easily be Joe Nichols' career song.' I was even more excited when they got out of that album and they never released it as a single, because then I was like, 'Now that's gonna be my career single.'
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