A Quote by Diplo
I used the name Diplo at one show when I was really young, and it just stuck. I never meant to keep it. But it's kinda cool.
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I always kinda liked our attic ghost. When I was a kid, I used to go up there and read stories to it. Show it my new toys. It's just an old spirit stuck between the worlds, right? What's to be scared of?"" ~Vic
After I did 'Mr. Show,' I was basically just a writer for a while. I was really young, and I kinda was like, wow, I'm 27 and I was already on this iconic show, and now I can just coast. But no one likes coasting, because you have to fill your day with stuff.
When I used to play against Bayern, Xabi Alonso always used to give me a really hard time. He was so experienced... he made me suffer. The way he'd keep switching play just meant that you could never stop running. He was very intelligent.
It's interesting because I laugh and tell people when I give speeches, ' I know what y'all think, oh we love Ed, but he's kinda stuck up or he's kinda this or he's kinda that.'
I've never used my weight to get a laugh. That is, used my size as the subject for humor. You never saw me stuck in a door-way or stuck in a chair.
It was very easy to kind of, kinda shut off and just, just kinda go crazy and just kinda dive into this or that. You never really take a minute to look around, you know take stock and see where you're at and make sure you're doing things for the right reasons and make sure that you remember to call that person who's really important to you and you know, tell them what's on your mind, and be honest with yourself.
I became a manager very young. My first sous chef job I was, maybe, 25. It was a bit too early for me. But it's on-the-job training. You really just get stuck in there and it's trial and error. You learn by your mistakes, and hopefully you don't keep making them. And if you do, you just keep trying to fix it.
I'm a lot different in my career since that interview. To have someone like Diplo tweet "Cakes' album is really cool" is cool, but in the same breath I still like what I do without anyone's approval. It's still good music.
Manchester United is a huge club. When I was young, it was a name I used to hear and it was a name I used to see on computer games and I used to play with the team.
I was in college, it was my first year of college when I got the show, so I've been kinda' partying a lot and drinking a lot and I've never been stoned and when I got the show I got really serious... So I kinda stop drinking, cold turkey so I had never been stoned until... It's something that happened with Mila and Ashton.
Sometimes you can just tell there's something unique about it, but you can never really truly tell until you show it to a third party - you show it to you friends, or you show it to people you know that know about music like my label or those kinda people.
The name 'Boss' started with people that worked for me... It was not meant like Boss, capital B, it was meant like 'Boss, where's my dough this week?' And it was sort of just a term among friends. I never really liked it.
I think the other side of that is embracing the claustrophobia, and that's what a huge piece of this show is, just watching people go through having to be stuck in that. I think the audience is going to feel some of that. It might not be comfortable, but it's really cool to just be experiencing that along with the characters that you're watching.
I think I kind of approached music with this sort of, like, weird thing where I kinda set myself up where I could kinda be myself but not really. I kinda had a backdoor out. So if you criticized me, I kinda had my defenses working. And the problem is that some people seize on that as inauthenticity, which is understandable. So that's painful because it's not that you're being inauthentic...there's a difference between being a poseur and being someone who's so emotionally challenged they're kind of just doing their best to show you what they've got.
You come to a country music show and it's like a rock show, it's so different, it's just not what people think it is, it's really cool and I think that if people just give it a chance they'd see that it's really cool and I think that's what people are finally starting to see.
It's really important to keep sponsoring young people so the audience gets used to them and starts enjoying them. They're the only way your show can keep going, otherwise it's going to burn out in one or two years. Hopefully you're creating your headliners of the future.
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