A Quote by Dirk Benedict
Time is money, as they say, and it was never more apropos than on a television show, where a minute is worth about $200!
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The major difference frequently is in time. The motion picture, for example, gives you considerably more freedom of expression than does the confined thirty-minute television show. But in essence, they're not that dissimilar.
There are some historians who say that democratic republics dont last more than 200 years. Well, weve got to show that you can last more than 200 years. Weve got to continue to sustain the system, and the only way you can do it is by sustaining the constitution and by confronting lies face to face, head on, aggressively.
Say, I was on The Craig Kilbourne Show and the next day I flew to Minneapolis. I was at the airport and a guy came up. He said, 'Dude, I saw you on TV last night.' But he did not say whether or not he thought I was good, he just confirmed that I was on television. So I turned my head away from him for about a minute, then I turned it back. I said, 'Dude, I saw you at the airport about a minute ago. And you were good.'
There are only three reasons to do a movie: the cast, the director, the role. Like I say, you live in a minute of screen time, but to prepare for the minute takes much more than a day. You'd better be excited about what those moments are, even if they're the hardest moments. Or the smallest.
I want to make something I would find joy in consuming. Personally, I enjoy those projects that are worth me investing time and energy and thought into, to find a work that has more to say than will fit in a 4 minute song.
Time is not money. Time is worth way more than money.
The one good thing about television is the money; you can make a lot more money than in newspapers.
I think television is moving more into movies, particularly with serialization and almost cinematic proportions and expectations. A show like 'Game of Thrones' is a perfect example of that, or even a show like 'The Wire,' which isn't all about instant gratification it's about inviting someone into the long experience of television the way you'd be invited into a theater for two hours. So I think in that way, and the quality of writing in television is probably much better than most film writing.
I can't count how many times I've heard a wrestling fan say they don't have enough time to watch 'Raw.' Maybe it's less about not having the time to watch a three-hour show, but it's more about the time and the patience. You can usually sum up your three-hour 'Monday Night Raw' in a five-minute conversation.
It [The Esemblist] is also about the generation of audience members that are watching shows and listening to us at the same time; hopefully, in time, when they listen to our show and then go see a show, they'll realize even more what it takes to make a show, and they'll know even more about everybody on stage, rather than just people above the title of the show.
Somewhere around the turn of the century, it stopped being hip to say you never watched TV. Adults are much more likely to find something to engage them on television than they are at the local multiplex. Edges are being cut on television all the time, but at the movies only now and then.
I've probably done the odd thing. I've probably done more than I would have done and some things you don't say no to. You don't say no to working with "The Simpsons"... the greatest comedy show on television. You mustn't. Even though going to my bad judgment, I remember saying that all I can do is make this show slightly worse.
When you've got money to spend, it's very easy to buy someone worth £50m rather than say, 'I'm going to play this 20-year-old English player.' It's easier to buy someone when you have the money to do it. But at the same time, if you give somebody an opportunity, you never know. You can only roll the dice and see how they perform.
A syndicate is a group that has gotten together to pool their money so they can cover more contingencies. If I come to track with, say, $200, and I join a syndicate of 20 people, each of whom can bet $200, we can spread our bets, and that gives us a better chance of winning.
Often times people complain about the lack of time in television, but I have to say, you don't have any more time to film in feature films then you do in television. It's just a question of how many scenes you'll be doing in the course of a day.
The message would be that the purpose of life is not to eat and drink, watch television and so on. Consuming is not the aim of life. Earning as much money as one can is not the real purpose of life. There is a superior entity, a divinity, le divin as we say in French that is worth thinking about, as are our feelings of wholeness, respect and love, if we can. A society in which these feelings are widespread would be more reasonable than the society the West presently lives in.
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