A Quote by Disha Patani

It doesn't matter to me where am I going. Language is not a barrier for me, I can go anywhere with my craft, so why not Hollywood? — © Disha Patani
It doesn't matter to me where am I going. Language is not a barrier for me, I can go anywhere with my craft, so why not Hollywood?
My dad told me, 'If you're going to go out there and play baseball, or you're going to play basketball or football, work hard at it no matter what. I want you to have fun with your buddies, but you have to put in the time because this is your craft.' He didn't just want me to be good. He pushed me to that next level.
I still hate making pictures! And I don't like Hollywood any better. I detest the limelight and love simplicity, and in Hollywood the only thing that matters is the hullabaloo of fame. If Hollywood will let me alone to find my way without forcing me and rushing me into things, I probably will change my feelings about it. But at present Hollywood seems utterly horrible and interfering and consuming. Which is why I want to leave it as soon as I am able.
I am attempting to understand Telugu and then give my dialogues. But language is not a barrier for me.
Bollywood is not a stepping stone to the West. I am extremely picky and in no hurry to sign a Hollywood film. I am only greedy for great roles; language and country is no barrier. And yes, I'll always be a Hindi film star first.
Initially, before I came to Hollywood, I thought that the language barrier would be the biggest challenge, but I realized that actors all around the world, regardless of language, are all the same.
Anywhere I go, anywhere I fight it doesn't matter who's watching or whatever, it's me fighting and there's one guy in the cage you know, that I have to worry about and that's it.
For me, why would a Jew want to go anywhere in history ever? I'm only going to have to run.
Ruby, give me one reason why we can’t be together, and I’ll give you a hundred why we can. We can go anywhere you want. I’m not your parents. I’m not going to abandon you or send you away, not ever.
I am fairly embraced by the Hollywood community, and I love making movies and I love acting, but I'm not real crazy about the Hollywood system. So the fact that they embrace me is a shock to me because I tell them to kiss my ass all the time. I don't understand why they haven't thrown me out on my ear. The other thing is I don't participate much. I have very few friends within the movie community. I hang out with some guys I've known forever. They're all broke and eat me out of house and home. But I stay home mostly and I don't go to the parties. Maybe that preserves me.
I conduct myself as if I am a spaceman in Hollywood. I don't want to do anything fancy. I don't want people to send me free clothes. I just want to be grateful for this craft they let me do.
When Nigeria actually gave me the call-up I thought 'oh, it's going to be a challenge, I don't go back there a lot, I don't really speak the language.' I wasn't speaking the language as fluently as I am now, so it was always going to be a challenge, but it was a challenge I decided to take and change nationalities.
You're not going to be able to look like anyone else, no matter how hard you try, unless you're a mimic, then you're not acting, you're just mimicking. You can't go on being John Wayne, that's John Wayne. So you're not going to steal from John Wayne. I'm not going to steal from John Wayne and you're not going to come back and say 'Didn't you get that from the circus?' You know. But he is one of those people who instructs me, whom I look up to - whom I think is one of the masters of his craft that I am so enamoured of.
Being a Christian executive in Hollywood has contributed to me fulfilling my destiny. Hollywood respects the maverick, the person who's unique and has the confidence to defy the system and everyone who tells them they're wrong in order to follow their vision. It's been me embracing by Christianity that has made me different, unique, and of value in my industry. Maintaining who I am and who God wants me to be throughout my career is what keeps me on the path to having the career I desire. I know what I value, and I never deviate from that no matter what.
I am not patriotic or nationalistic, but the French language is like a country where I take refuge when I have nowhere else to go. It consoles me for everything. For me, the language no longer belongs to the colonialists.
You can be a rapper born and raised in go-go music, violence, drugs, crack, Reagonomics, and still, if you hear 'Wake Me Up Before You Go-Go,' you're going to find a way to hum along. Guilty pleasures? It don't matter. Sue me - I like the song. To dance to it is another matter.
The person whose work introduced me to the craft was Lorraine Hansberry. The person who taught me to love the craft was Tennessee Williams. The person who really taught me the power of the craft was August Wilson, and the person who taught me the political heft of the craft was Arthur Miller.
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