A Quote by Disha Patani

Performance is one thing which has to be good because you're an actor. — © Disha Patani
Performance is one thing which has to be good because you're an actor.
You cannot judge the performance of an actor in isolation. A performance becomes good because of so many factors, including the other actors.
The director is the most important because, ultimately, as an actor, when you watch a movie, it looks like an actor is giving a performance, and they kind of are. But, what's actually happening is that an actor has given a bunch of ingredients over to a director, who then constructs a performance. That's movie-making.
For me, some of the happiest moments on a live-action film are the awkward moments. One actor says something to another actor. They didn't expect that performance from that actor; that affects their return performance.
If he be really and seriously seeking to live a good life, the first thing from which he will abstain will always be the use of animal food, because ...its use is simply immoral, as it involves the performance of an act which is contrary to the moral feeling - killing.
I've always felt it's the directors purview to say what; it's the actor's purview to say how. It's not good for an actor to have the big picture in mind - it bollocks you up. An actor's purview is the tiny little... We measure our performance in seconds.
You never know when you're taking a job, ever... but you try to take good scripts. That's all you can do as an actor - take the best thing available. Even then, it's not [really] in your control. Certainly not in film and TV, because there are so many other elements. You just have to take control of your own performance.
That's a wonderful thing, because one of the primary qualities of a good performance is honesty.
The good thing about helping an actor create a performance is, you really don't know how you're going to do it. It's a challenge every time you get to the set. That keeps the energy flowing all the time.
If the lecture is good, then everything is too smooth. That's the same in music: if the performance is too good, you really don't enjoy it, because it just goes by, and you can never penetrate into the heart of it. Sometimes a poor performance is better for enjoyment, because you can look at those things that were wrong and analyze them.
A lot of games and voiceover projects, they're not giving the actor a lot of context. The actor, no matter how good they are, might not be able to deliver a performance that fits the action.
The bad thing about being with an actor is that the role he's in stays with him all the time. The good thing about being with an actor - well, I can't think of any good thing.
I don't call cut between the takes - it's my way to help the actor keep focused. As soon as you say 'cut' you have 10 people jumping on them and everybody's trying to do a great job, and they do, but sometimes they forget that the more important thing is the performance, creating the performance.
I wake up every morning bolt upright, whether it's a commercial, not that that's a good thing or a bad thing, because I shoot commercials in between movies. But whether it's a commercial or a movie where I'm shooting a major train wreck, the thing that worries me most is when I'm doing a performance thing.
I feel whatever an actor does on screen is something the actor 'does,' and what the director can do is to tell, talk or instruct. So, all the credit for an actor's performance goes to the actor alone.
I love that process in which there is no safety net. Then the actor also can allow mistakes, because there's no such a thing as a mistake. You're working with good actors, that thing that starts as a mistake becomes actually the life of what is going to follow in the scene. I find that it is fantastic, and for me it is easier than for the actors.
You're not actually being a good actor all the time. But people refer to me as a good actor because they read it someplace, not because they've made up their own mind. So I'm very lucky!
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