A Quote by Dita Von Teese
My beauty icons are women whose images are self-created.
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I know a girl who just looks at her face in the medicine cabinet mirror and never looks below her shoulders, and she's four or five hundred pounds but she doesn't see all that, she just sees a beautiful face and therefore she thinks she's a beauty. And therefore, I think she's a beauty, too, because I usually accept people on the basis of their self-images, because their self-images have more to do with the way they think than their objective-images do.
When I was growing up, we didn't have this super-skinny, flawless image to compete with. I find it unfortunate that young women may look at those images and think that is the ideal of beauty. It can cause a lot of problems and self-esteem issues if we don't remind girls that being healthy and exactly who you are is the main thing. I'm grateful I didn't grow up with those images.
I'll be 40 this year but honestly would not consider surgery; all my beauty icons are women with expressive faces. Isabelle Huppert ages so beautifully and gracefully, as have Maggie Smith and Judi Dench. I am struck by their expressive beauty.
I am myself a professional creator of images, a film-maker. And then there are the images made by the artists I collect, and I have noticed that the images I create are not so very different from theirs. Such images seem to suggest how I feel about being here, on this planet. And maybe that is why it is so exciting to live with images created by other people, images that either conflict with one's own or demonstrate similarities to them.
It's wrong for women to be constantly shy and embarrassed about their bodies. There are so many images of unattainable beauty that are so destructive. It's important to show how your body really is. As the cliche has it, beauty comes from within.
My beauty icons - and this sounds cheesy - have a beauty that comes from inside.
We have these images, these icons before us that are not reality.
Our age is pre-eminently the age of sympathy, as the eighteenth century was the age of reason. Our ideal men and women are they, whose sympathies have had the widest culture, whose aims do not end with self, whose philanthropy, though centrifugal, reaches around the globe.
Our memories are convenient lies we create, cribbing images from others' experiences. We discard the personal specifics which don't conform to the ideal conventional beauty created by art directors and cinematographers.
There are few women whose charm survives their beauty.
There are many images and realities of what women are, become, can be - strong, vulnerable, dogged, determined, frail, brave, courageous. The faces of women are at once gentle, reflective, firm; steeped with a sense of self, the lives of women growing older are lives of care, toil, splendour and glory... the future is not to be feared.
Because a God who is ultimately most focused on his own glory will be about the business of restoring us, who are all broken images of him. His glory demands it. So we should be thankful for a self-sufficient God whose self-regard is glorious.
Where do these images comes from and where do they return? What is it that projects these images? How is it that we are the screen? How is it that we have forgotten that we are the Self and that nothing but the Self exists?
The female psyche is inherently self-sufficient, because female sexuality is inherently self-sufficient. I think women are maybe more comfortable, or women are able to find physical beauty in each other that doesn't terrify them.
We are in the midst of a violent backlash againist feminism that uses images of female beauty as political weapons against women's advancement.
By these things examine thyself. By whose rules am I acting; in whose name; in whose strength; in whose glory? What faith, humility, self-denial, and love of God and to man have there been in all my actions?
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