A Quote by Divine

I think of myself as a living cartoon. — © Divine
I think of myself as a living cartoon.

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No one blames themselves if they don't understand a cartoon, as they might with a painting or 'real' art; they simply think it's a bad cartoon.
No one blames themselves if they don't understand a cartoon, as they might with a painting or "real" art; they simply think it's a bad cartoon.
One way to escape the universe in which everything is a kind of media cartoon is to write about the part of your life that doesn't feel like a cartoon, and how the cartoon comes into it.
The cartoon me writes the books cartoon people read in the cartoon world, because they need things to read there too.
There's something grounded about 'Ugly Americans,' so I think it's good that I'm playing a version of myself in these elevated cartoon circumstances.
I never doubted that if I applied myself and tried to learn that I would good at it. I've had a lot of lucky turns, no doubt. But it's actually been a fairly direct line from control-freak, cartoon-obsessed kindergartner to control-freak, cartoon-obsessed executive producer.
I don't think it's so important to be a movie director. It's a beautiful profession, but no more than to be a cartoon writer. A very rich cartoon writer. I've done a lot of films, and I know deeply that, in all of cinema, there is no director who is as good as Shakespeare.
Perhaps the image you have of the devil is a cartoon of a man in a red suit with horns a pointy tale and a pitch fork, Satan would love for you to think of him as a harmless cartoon character, but don't be fooled... Satan is anything but harmless.
For me, I think 'Jem' fans were expecting a remake of the cartoon, and the movie really is inspired by the cartoon based in a 2015, modern-day setting. It is going to be very different, but it's also going to be very familiar as well.
People think you get one idea for a cartoon every week, and that's not the way it works. You usually get 10 or 15, and you're - certainly when I was a cartoonist, before I was a cartoon editor, you're rushing to do what is called the batch. When I was doing that, I liked to have, in general, about 10 cartoons.
I think loads of people see acting, when they're kids, as these magical stories that just happen within the context of the film or the play or the cartoon or whatever they're seeing. They don't imagine that there are actually people that go and do that for a living.
If you win elections on the theory that government is always bad and will mess up a two-car parade... a real change-maker represents a real threat. So your only option is to create a cartoon, a cartoon alternative, then run against the cartoon. Cartoons are two-dimensional; they're easy to absorb.
I make my living now as a screenwriter! Which I’m surprised and horrified to find myself saying, but I don’t think I can support myself as a playwright at this point. I don’t think anybody does.
If I can finish a cartoon in 20 minutes, then that's the ideal editorial cartoon - it's to the point.
My very first professional job was a cartoon, doing voices for the Mr. T cartoon in high school.
I'm a soul maker. I write songs. I'm making cartoon shows. I'm planning on putting stuff out myself on my own, on a TV station online. I'm not limiting myself. I'm doing it all at once.
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