A Quote by Divine

I'd love to do a perlod piece. Maybe 'Caesar and Cleopatra.' I could do both roles- at one-and-a-half salaries. — © Divine
I'd love to do a perlod piece. Maybe 'Caesar and Cleopatra.' I could do both roles- at one-and-a-half salaries.

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Cleopatra is one of the roles that I would love to do!
Caesar might have married Cleopatra, but he had a wife at home. There's always something.
He was quiet. I said nothing, hoping that maybe, for once, he'd stop pretenting he was okay. Then I could, too. That we could both forget the roles that had so long bound us.
Half the people tell me, 'I love 'Go All the Way,' but why do you have to write all those schlocky ballads.' And half say, 'I love 'All By Myself,' but why do you waste your time with this rock 'n' roll stuff?' I'd like to think that I could do both.
There are certain people I'd absolutely love to work with. I was a huge fan of 'Two and a Half Men.' The comedic timing was so perfect on that show. So maybe that show or maybe 'Modern Family.' Both of those shows have great casts.
Max Weber was right in subscribing to the view that one need not be Caesar in order to understand Caesar. But there is a temptation for us theoretical sociologists to act sometimes as though it is not necessary even to study Caesar in order to understand him. Yet we know that the interplay of theory and research makes both for understanding of the specific case and expansion of the general rule.
The words were a paraphrase of the suggestion of Jesus: "Render therefore unto Caesar the things which are Caesar's." Bokonon's paraphrase was this: "Pay no attention to Caesar. Caesar doesn't have the slightest idea what's really going on.
The list of potential candidates for Julius Caesar is quite large. You could go, "Well, he's a Caesar." Idi Amin, or Bokassa in the Central African Empire, or in Zimbabwe, Robert Mugabe coming to power. They have all, at some point in their lives, been candidates for a casting as Julius Caesar.
Her seductive power, however, did not lie in her looks [...]. In reality, Cleopatra was physically unexceptional and had no political power, yet both Caesar and Antony, brave and clever men, saw none of this. What they saw was a woman who constantly transformed herself before their eyes, a one-woman spectacle.Her dress and makeup changed from day to day, but always gave her a heightened, goddesslike appearance. Her words could be banal enough, but were spoken so sweetly that listeners would find themselves remembering not what she said but how she said it.
CLEOPATRA: If it be love indeed, tell me how much. ANTONY: There's beggary in the love that can be reckoned. CLEOPATRA: I'll set a bourne how far to be belov'd. ANTONY: Then must thou needs find out new heaven, new earth.
There are all kinds of historians and scholars who say that Brutus could have been a son of Caesar. That's definitely a possibility. He's a generation younger than Caesar.
What, are you totally psycho?" I shouted. "Maybe I am!" he screamed back at me. "Maybe that's just what I am. Maybe I'm that quiet guy who suddenly goes nuts and then you find half the neighborhood in his freezer." I gotta admit, that one stumped me for a second - but only for a second. "Which half?" I asked. "Huh?" "Which half of the neighborhood? Could you make it the people on the other side of Avenue T, because I never really liked them anyway.
Watching and learning from the great Josette Bushell-Mingo, who was playing Cleopatra in Antony and Cleopatra at the time, and then to return to the same stage six months later playing a lead role, was incredible - I fell in love with the poetry and the breadth of the language so much that I didn't want it to end.
Arriving at a simple piece of music is a very difficult balance because, in being simple, you could easily be banal, so maybe it's more difficult to write a simple piece of music than a 12-tone piece where no one understands exactly what it is about.
One of the rules of Greek lament poetry is that it mustn't mention the dead by name in case of invoking a ghost. Maybe the 'Iliad,' crowded with names, is more than a poem. Maybe it's a dangerous piece of the brightness of both this world and the next.
I've learned a lot from doing the sitcom. I've learned so much about comedic timing. For all the movies I've done, I've played so many different roles. I love both, but I guess in my career maybe I want to stick more to film.
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