A Quote by Divine
The press criticism made me feel at times like I was someone who had landed from outer space and, to my parents, being in show business was the worst thing you could be. Especially because I did drag, they didn't think much of it.
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I always think about the role models I had when I was a little girl. They really made me feel how big I could dream, they made me feel I could do things that I did not think I could do before. And because of them, I went and did what I did and I am where I am now.
I didn't plan on going into show business. Show business picked me. And it's been fun. One of the best things about being in show business is people think they know me, and they feel like they grew up with me.
My family's been in show business since the 1700s. I traced them. I'm bred to this. Like a racehorse. A thoroughbred. Look at my parents, my God. But it was my curiosity that made me do this. Because you could also say: "Look at Frank Sinatra Jr." It's not like a natural thing that happens. You gotta work.
I had parents who believed I could do anything - and I know how that made me feel. I think both my parents, having careers in the medical profession, feel they are helping people on a daily basis, and that was inculcated in me as a value. I had to struggle with giving up the idea of becoming a doctor myself.
I don't think any of us would be who we are if our parents weren't who they were. People that are in show business, and their parents are not in show business, their parents probably motivated them to get in show business.
I think I kind of approached music with this sort of, like, weird thing where I kinda set myself up where I could kinda be myself but not really. I kinda had a backdoor out. So if you criticized me, I kinda had my defenses working. And the problem is that some people seize on that as inauthenticity, which is understandable. So that's painful because it's not that you're being inauthentic...there's a difference between being a poseur and being someone who's so emotionally challenged they're kind of just doing their best to show you what they've got.
When I have a creative insight, there is a high. I think back in the day, I made music as much as I did because it made me feel so good. I think you could argue that there is a creative addiction - but, you know, the healthy kind.
The reason I started drag in the first place is because I felt like I never really fit in, and I still don't feel like I fit in to any of those places: the drag world, the circus world or the burlesque world. I'm kinda this combination of everything, so it made sense to me that I'd set out to do my own solo show.
Sometimes I feel I have no idea what I'm doing as an actor. I just did a tape for the TV remake of 'The Rocky Horror Picture Show,' and I think it could be the worst thing I've ever done.
I would only listen to certain things, like a lot of teenagers do. But the Tragically Hip is a ribbon that's been with me pretty much my entire musical life. Every mix tape I ever made had at least one Hip song on it. Right from the outset I feel like Gord Downie built so much room into his songs. There was so much space in them that he created. He made me think of songwriting as full of boundless possibilities in a way that - well, that a lot of songwriters do, but that was the first time I thought a song could really contain multitudes.
I don't think my writing has much to do with my age. For me, my biography is more about what I was reading at what age. It's more of an intellectual thing of wanting to be free to write and think without being too bound by categorisation. I don't think I'm made for these times; I feel more like an old-fashioned writer.
She had said she didn't feel fear, but it was a lie; this was her fear: being left alone. Because of one thing she was certain, and it was that she could never love, not like that. Trust a stranger with her flesh? The closeness, the quiet. She couldn't imagine it. Breathing someone else's breath as they breathed yours, touching someone, opening for them? The vulnerability of it made her flush. It would mean submission, letting down her guard, and she wouldn't. Ever. Just the thought made her feel small and weak as a child.
I never had any desire to be famous. I find people who do really sad. I genuinely feel sorry for them because there is nothing of substancein their lives. I am happy when I am writing or performing. Not when I sit there being "famous". I like recognition for my work, but not recognition for being "that bloke off the telly". It is genuinely humbling when a woman comes up to me, as someone did recently, to say she wanted to commit suicide after her husband died, and my show cheered her up and made her feel better. That's great.
I truly did feel that I owed it to my parents, my grandparents, to do whatever it was that I wanted, because if I wasn't happy, if I wasn't being true to myself, then I wasn't living fully. They had given up so much so that I could live at the level that so many people are just automatically born into.
It used to be that I'd do drag, then get out of drag, and try and be as much of a boy as possible. That didn't feel entirely authentic for me, but it felt like what I had to do at the time.
I did my fair share of stupid stuff in high school, like anyone. I had a healthy fear of my parents, and I certainly never wanted to disappoint them. That would be the worst thing I could ever do.
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