A Quote by Divine

I was typecast for a long time. A lot of people thought all Divine could do was play a loud, beefy blonde. — © Divine
I was typecast for a long time. A lot of people thought all Divine could do was play a loud, beefy blonde.
People say I play real loud. I don't, actually. I'm recorded loud and a lot of that is because we have good engineers. Mick knows what a good drum sound is as well, so that's part of the illusion really. I can't play loud.
I haven't deliberately set out to play the blonde bombshell in my movies. In fact, it's probably been quite the opposite. After the success of The Mask, I wasn't offered all that many blonde bombshell parts, to be honest. I think people believed from the beginning that I could actually walk and talk at the same time.
People think of me as the blonde loud lairy one from Girls Aloud, but that's not me when I go home at the end of the night, that was a persona I was given in the band and I did play up to it quite a lot but that's not me 24/7.
Was I in a nativity play? I think I was an angel; I was a very blonde child, so I tended to get typecast. I have a vague memory of wearing wings.
Hairdressers call me dark blonde, but I think they're wrong. I feel far more naturally confident blonde. My mum's blonde, my sister's platinum blonde. I thought, 'When I grow up, that's what I'm going to look like.'
I don't think I knew that you could be a novelist. I think a lot of my students are in the same condition. I thought it was unreachable, that it was sort of dead people. It took me a long time - I think I was well into novel writing before I really thought, 'Actually, this is a valid pastime.'
I wander around in corsets in my house all the time. I'm a lot girlier than the roles I play, but I don't believe there's anything wrong in this business for being typecast.
In the beginning, I was always playing some kind of gangbanger and the token Mexican dude who didn't have a lot of lines but was in the entire movie. At the same time, everyone gets typecast, and I decided that if I was going to play a stereotypical role, I was going to play it like a three-dimensional character.
A lot of loud people have been talking over the years; they have these huge voices but don't say much. I'm sure there are a lot of really quiet people who have a lot more intelligent things to say than the loud people.
People associate girls with long blonde hair with the girls in 'Clueless' or 'Legally Blonde.' You can't be smart and educated and have an opinion because you are supposed to be stupid.
Not many people know this about me, but I'm a natural blonde. My hair went from light blonde naturally to a darker kind of blonde. My mother dyed my hair dark when I was a child, as I loved the look then. So I'm basically a natural blonde.
I was not only typecast as a Russian, but I was typecast as Yakov Smirnoff. This is understandable, and I was very happy to get the roles, but it would be nice to be in a movie where I could be someone else.
At WSX the message was loud and clear consistently, even as a rookie signing a contract and kind of talking about things and getting into the nitty-gritty details. I felt like I was always given a lot of respect and in fact sometimes I thought they were almost tooting my own horn too loud I thought it was almost silly.
Meadowlark inspired me to play for a long time. I thought, 'If he could do it, I can do it.' The legacy that Meadowlark leaves is something that every child and adult can benefit from.
People think it is all about country music, and I know a lot of country music has come out of there, but like Blonde on Blonde by Bob Dillon was recorded there. A lot of great records; R&B records, jazz records. It's a lot of great players and great studios.
I feel like a lot of people liked to book me blonde, and I liked being blonde, but it's too high maintenance for me!
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