A Quote by Divya Dutta

I loved my roles in 'Veer-Zaara,' 'Train To Pakistan' and 'Shaheed-e-Mohabbat.' — © Divya Dutta
I loved my roles in 'Veer-Zaara,' 'Train To Pakistan' and 'Shaheed-e-Mohabbat.'
Though "Veer-Zaara" is a film about cross-border love, there isn't a word of politics in it. Forget politics, there isn't slap, not even a raised voice in "Veer-Zaara"(2004). It's a very intense, humane and emotional story. "Veer-Zaara" (2004) is a humble tribute to my home in Punjab. It's my tribute to the one-ness of people on both sides of the border. Every religion preaches peace. Then why the bloodshed for the sake of religion? Why are we destroying each other?.
Veer Zaara' changed people's outlook towards me. It was my first so-called commercial film.
I don't think that 'Just Mohabbat' or 'Tarzan' were a hindrance. 'Tarzan' didn't do well at the box office but I would say the kids loved it.
I've been offered roles in Indian films, but I wanted my debut film to be from Pakistan. A lot of people think that I've made my music career from India, but that's not true. I made it big in Pakistan, and then I went across the border.
The list of American grievances is long: Pakistan developed nuclear weapons while promising the United States that it would not; the United States helped arm and train Mujahideen against the Soviets during the 1980s, but Pakistan chose to keep these militants well armed and sufficiently funded even after the Soviet withdrawal in 1989; and, from the American perspective, Pakistan's crackdown on terrorist groups, particularly after 9/11, has been halfhearted at best.
America always thought it was helping Pakistan. But if it hadn't helped Pakistan, Pakistan would have been a stronger country.
Pakistan now is like a horror film franchise. You know, it's 'Friday the 13th, Episode 63: The Terrorist from Pakistan.' And each time we hear of Pakistan it's in that context.
For years I did most of my reading on the F train between Brooklyn and Manhattan. I had long commutes, and I read tons of books on that train; I loved it.
When it comes to Pakistan, the first word that comes to the mind of the Chinese is 'iron brother.' To us Chinese, Pakistan is always a trustworthy friend who is as solid as iron. Actually, Chinese netizens refer to Pakistan as 'Iron Pak.' This testifies to the strength of China-Pakistan friendship.
The acting bug just seemed to stick with me. I loved going to theatre school in college and continued to train in film classes and had been auditioning for T.V. and movie roles since I was in my late teens. My career has been slow and steady, and I kind of like it that way.
Pakistan always seems to have a lot of political complexities and political challenges. But Pakistan is important for a number of reasons. Primarily, it is a nuclear power. And if, in fact, al Qaeda and Taliban, which are in Pakistan and causing a lot of tragedies and deaths in Pakistan - if they would ever somehow have real influence and control of that government, then we [world] really have a problem.
Al Qaeda is almost all in Pakistan, and Pakistan has nuclear weapons. And yet for every dollar we're spending in Pakistan, we're spending $30 in Afghanistan. Does that make strategic sense?
Just Mohabbat' is one of my favorite projects.
I gave the album [You're Under Arrest] to Quincy Jones and he loved "D Train". We couldn't call it "D Train"; it's called "MDI/Something's On Your Mind/MD2". That's on the album.
I turned to the Partition experiences, which were churning in my mind. Then came my first novel Train to Pakistan.
For a while, I loved everything about it, every single aspect of what was supposed to be a job. The training - I loved to train. I loved the traveling. I dug being in the locker room. I didn't mind icing and heat. I dug it. It was like, 'Cool. I'd rather do this than anything.'
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