A Quote by Divya Dutta

I would love to direct films and it's certainly on the cards. — © Divya Dutta
I would love to direct films and it's certainly on the cards.
I've never been a puppeteer, I conceive and I write and I design and I direct. And not just puppets. I direct actors, I direct dancers, I direct singers, I direct films. I also direct puppeteers. I'm really a theatre maker, but there's not a word for that.
I'd like to get into the superhero genre. I'd love to do either a DC or a Marvel character. I just love the way they're approaching these characters in these films. I also would love to get back into some romantic films. I love romance films, especially between people of color, because we don't really explore that enough. I would love to do that.
I sometimes hear people say women don't want to direct studio films, but I do. I want to direct big films, little films, TV. I want to do it all.
Let me put it this way: I would like to direct a successful film. An unsuccessful film I would not like to direct. Films are very difficult.
I'd love to direct, I'd love to produce. I'd love to learn all about it, and being around it all the time certainly helps.
I'd like to be a better writer, but I have no dreams to direct or do a screenplay. And I'd love to have a big starring role in a movie because the paycheck would be bigger. That's the only reason I do films.
I think I would co-direct because I love actors and I've got a very good eye. I'm not a second-guesser. I don't think that I would be very happy, getting inundated by financial issues. I would love to co-direct with somebody because that would be a real freedom and an adventure, and then I could leave all the pain and misery to them. I'm not glib about it. I would take the responsibility to make a really good movie.
Hollywood was a good influence because I was madly in love with films, and the films had a direct influence on me.
I am extremely eclectic in choosing my films as an audience, and as a direct result of that, I love exploring, I love cinema, and I love learning from different experiences.
Handwriting challenges aside, I love paper cards. I love the endless stewing involved in picking them out at the store. I love buying holiday stamps at the post office, and I love that 'whoosh' sound the cards make when I drop them into the mail slot.
I'd be at these different clubs passing out my business cards and fliers. Then the club would end, the light would come on and all my business cards would be on the floor.
Eventually, I think I may end up directing. It would have to be the project where I think that I'm the person to direct it, and I don't know that that's happened yet. I certainly haven't written it, and I don't know if I've read that script yet where I was like, "Okay, I think I'm the guy that needs to direct this."
It's not my ambition to direct lots of films. I think if I direct one film in my whole life, why rush it?
I will direct films be it my own productions or outside. It's not like I am here only to direct Salman.
Films like 'Bond' fund training schemes for film technicians of the future, and working on films themselves provides a great training ground for budding directors and cinematographers. If there's no money there for films to be made, it's like a house of cards, it all comes tumbling down.
It’s said that the shuffling of the cards is the earth, and the pattering of the cards is the rain, and the beating of the cards is the wind, and the pointing of the cards is the fire. That’s of the four suits. But the Greater Trumps, it’s said, are the meaning of all process and the measure of the everlasting dance.
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