A Quote by Divya Dutta

I am lucky that I have worked with some wonderful directors so far - Madhur Bhandarkar and Rakeysh Omprakash Mehra, among others. — © Divya Dutta
I am lucky that I have worked with some wonderful directors so far - Madhur Bhandarkar and Rakeysh Omprakash Mehra, among others.
There is a host of directors - Sujoy Ghosh, Neeraj Pandey, Ashutosh Gowariker, Madhur Bhandarkar, Mani Ratnam and so on - who make some great cinema. I would like to work with them all.
There are so many great directors and actors, like Dibakar Banerjee, Zoya Akhtar, Rakeysh Ompraskash Mehra, Vishal Bhardwaj, Anurag Basu - the list is very long. I hope at some point I get to work with them.
If Madhur Bhandarkar makes a movie tomorrow, people will expect him to do something like 'Chandni Bar' or 'Corporate!' Similarly, it takes time for filmmakers to break that stereotype and attempt something new - it is difficult for filmmakers to be versatile in Bollywood.
As an actor, I have had an iconic journey and was fortunate enough to have worked with some really wonderful directors.
I have been extremely lucky to have worked with directors and actors that have made a fabulous impact in Indian cinema and have received some of the nicest compliments ever.
I have registered few titles like 'Bharat Bandh,' 'Calendar Girl,' 'Money Politics.' The titles just intrigued me, so I registered. I had a title, 'Jai Ho,' which I gave to Sohail Khan for his next film with Salman Khan. These are typical Madhur Bhandarkar kind of films. I may make a film or not on such titles... not sure yet.
I'm singularly lucky to have worked with directors who dared me to take risks and be different and I am thankful to the Indian film industry for giving me my primary identity.
I've been incredibly lucky with the directors I've worked with.
Roles came to me. I was very, very lucky in that respect. Great directors, great writers, great producers - they saw something in me that they wanted for their picture or their play or whatever it was, whether it was Edward Albee or whether it was - or Peter Hall, directors. They would come to me, thank God. I was lucky. Lucky, lucky, lucky.
I've been really lucky to work with some really great film people in the past, but television works on a much quicker schedule, and it's the TV directors I've worked with that I looked to and became a big fan of.
There's a wonderful stable of directors I've worked with, and work I've done that has dignity and meaningfulness.
Among photojournalists there is still a sense that doing a photomontage is far graver than adding a filter. I am against this type of hierarchy that demonizes some options over others, demonizes them in respect to, what - ideology or moral code?
I can say yes to some directors without even reading a script. But the first-time directors I've worked with, the scripts have not been perfect, but they had something that I liked.
I'd worked with directors who wouldn't collaborate. Then I've also worked with directors who didn't really know what they wanted. I knew I didn't want to be either one of those guys - or girls.
I worked for John Ford, Howard Hawks, Henry Hathaway, Raoul Walsh - I worked for some real good directors.
I am lucky, that is all. Lucky because there are a lot of people - producers, directors, people who buy tickets - who put confidence in me.
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